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Keith James: 55, from Anaconda (Fiction)

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6AM.

Jake Munson huddles over a jagged section of a whiteboard found in a dumpster two blocks from campus. His full name is scribbled across the board. Then it’s erased. A few seconds later, the name is back again.

On his left side down by his hip a stopwatch is firing off. If he is fast enough with this he can go on to reading his playbook. Jake looks at the numbers on the face getting bigger. Maybe this morning will be different. This might be the fight he wins. Come back, Jake. Jake what? Teachers, coaches, first days of anything. What did they call you?

The playbook is somewhere in the apartment, nothing more than a lost memory. But the playbook was something he feels now. It was as much reading to him as looking at a binder of family pictures. His body remembered the failures of seeing a body dart through his assignment, feeling hot breath from a coach screaming through his helmet. He also felt success. A lineman didn’t account for his lean 5’8 frame slipping through a B-gap like water in a cracked pipe. He’d take his facemask at a full sprint and jam it into the quarterback’s spine, turning him into a 6’3 doormat. Jake could feel it miles from a field on the manila carpet in his apartment off Livingston. But seconds drop off the clock when his middle name gets further from him. It’s gone now.

Before this he was waking up from a dream. He was back in Anaconda, Montana getting lost on streets he lived on his whole life. Couples would stop and listen to words drip off the edge of his paralyzed mouth. Where’s the house? Where is home? They would shake their heads and walk away arm in arm. He dragged his mangled body down a coal mine and waited for the sun to come up. The town stayed in darkness. He stared at the black walls of rock that circled the mine. The deep gashes from hands, going halfway up the wall, but growing fainter as every claw out of nothingness became crushed by the overwhelming odds that would never change. The soot felt soft and his hands were sore. He could be nobody.

Jake came out from the dream fighting through the same headache, built with two violent hands that pull the muscles in his neck like stirrups. Reminders. You get to play the game.

Playing the game was nothing more than a brief resistance from the obligations of being born in Anaconda. The desperate town that used to be something to a whole lot of people. It had a calling that spoke to honest men. They took the shafts down to the coal mines and beat the hell out of their bodies for the small chance their sons wouldn’t join them. But sons love their fathers more than the world will ever love them; every generation came down the shafts to free the next, but it didn’t happen for most.

Some didn’t even get a chance. By ’83 the mines were out. Companies did some tests and found bad enough readings to call the entire town a liability. The fights were over. For Jake, he spent his life hearing his father try to free him from a suffocated couch cushion in their living room.

Buddy Munson worked down in the mines. Anaconda was out long before longwall mining was perfected; Buddy spent his youth swinging a pick at coal pillars for twelve hours, and married the first girl he talked to at a bar. When Jake was born, Buddy held him like Jim Brown down the sidelines, his lower back held up by next to nothing. Buddy was beat by his early 30s, when he couldn’t handle sitting in a chair long enough to make phone calls for his wife’s brother doing him a favor. With a freshly ironed shirt and red swollen eyes, Buddy applied for food stamps, and built a life for his small family.

Jake spent eighteen years in a terminally ill town, ten years mauling anything with a different color jersey on, hoping someone would notice. Schools did. Most schools noticed he was small and hurt. Coaches from around the region would come to his games like tourists to the walls of the Roman Coliseum. But their shoulders would hang when it became obvious their imaginations were larger and faster than the young man wearing 55. They’d watch 55 crack a running back trying to break it outside. The back would lower his head. 55 would lower his. Like jousters both would feel the impact, but the back would meet the ground, sending up grass and dirt like splinters from the pole. 55 would go down too, coming up slower as the games went on. By fourth quarters scouts would point out to each other the wide eyes of 55 on the sideline. The blinking. His teammates huddled around him as he doubled over a trashcan. Jake didn’t get any letters.

After graduation, he hopped a bus to Bozeman and met with the linebackers coach Ray Gardner, a man who had the appearance of being water-birthed in gasoline. He had flat knuckles from punching a rock two hours a day in his grandfather’s basement in Laramie, Wyoming. He didn’t give speeches because he didn’t want to coach kids who needed speeches.

Gardner saw Jake play. He was a kamikaze blue-collar kid. Small, but the league was small. And he didn’t play small. Gardner saw that Jake had the ability to make fear something tangible on the field. Opposing coaches’ faces would turn red at the sight of their receivers changing their routes to avoid the middle. 55 was a monster.

But in front of him that Saturday morning, he saw an 18-year-old who was forced to stare into space. During his physical, he pressed his temples. He answered questions slowly. The doctor checked a box and Jake got a spot on the team. No scholarship. At a family dinner two miles off campus Gardner told his wife that 55 wouldn’t last two falls.

Five falls later Jake jerks his body along a treadmill in the basement of his apartment complex. The landlord let Jake clear out some forgotten luggage of previous tenants and haul in a rusted gym set. Aside from the rubber belt hitting his shoes, he worked in silence. Silence was something to Jake. Something ancient and precious, constantly begging for his attention. It held his leathered hands by the finger and pulled him away into dark corners of the world.

Gardner now takes Jake at his word when he says he trains. The team will grunt and yell at one another for one more push, one more pull. Music pumps through new speakers and vibrates the inside of everyone in the weight room. Jake does it alone. Jake tells the coach it’s the noise. “I can’t lift with that music on. I’m not a rap guy, coach.”

“It’s fine,” Gardner will say. “Just be on time for practice.” Gardner puts a soft hand on Jake’s shoulder as he walks him out the door. Gardner leaves the conversation where it is. It’s safe there. What’s our quarterback’s name? Don’t give me numbers, Jake. I want names. Who do we play next week? What’s your daddy’s name? If he heard the answers it might break his heart. But the doctors know. It can’t get any worse, they say. Can he die? Sure he can die. All these kids can die.

Gardner comes back to his desk and asks himself if he is a terrible man. He sees his reflection in the faded silver of accolades. Older. Older than he should look. When he moved up to head coach he was told it would happen, and he and his wife would laugh. You’re giving the kid something people can only dream of, Ray.

The treadmill shakes from the four-mile run. Jake’s pained inhales fill the room. He runs with every muscle now. It used to be the legs that got him places. He could never cover large ground, but what he could he took in militant strides.

One day it stopped. His mind became a factory with a new ground plan. His left leg didn’t want to lift as high as his right during a practice his sophomore year. He could feel Buddy’s couch cushion inching closer to his thighs with every lame attempt. Mine shafts were clicking further down to the black.

Jake spent hours after practice wheeling his body around a little league baseball diamond a few miles off campus. Every turn around a base was a charcoal colored arm hoisting him out of darkness. It was validating, the pain. Pain meant something was happening. He was living. Jake worried about the days he felt nothing. There were days he felt he should say something. Doctors would ask him questions and he knew the right answers. His head was fine. I love my teammates. I am happy. But they would tell him what protocol is.

If you get hit in the head and you feel funny, you gotta tell us. It’s fine. It’s protocol. Are ya sad, Jake? Follow my finger. If you feel depressed, let us know. You’re following protocol.

Jake saw protocol. He saw teammates gripping their heads like basketballs in front of doctors. He watched them follow protocol. They sat on the bench and watched a kid go in for them. Hey, turns out the kid is pretty good. Protocol made school more expensive. Protocol would send Jake back to Anaconda on the bus he came in on. When he was holding a cardboard sign with a splitting headache, he’d be sure to write in ink, “Please help. I followed protocol.” Jake spat on the dirt around the second base. 55 was not following protocol.

Like his mother holding his tiny fingers above his head as she guided his first steps down the thin hallway, he whispered to his body, this is how you do it, Jake. Right, left, right, left. He stayed on the field until he felt the only way a person could run was in the shape of a diamond. It was the first time he felt the stirrups on his back. But he was moving. It wasn’t with the ardent strides he was used to. He felt like those bulls in Spain, trying to grip their hooves on the cobblestone alleys, chasing anything down that wore white. Past every tienda, every mangled body, the bull kicked his back legs away from the stable that he was locked in.

The treadmill stops before Jake does. He can feel the vibrations, the machine failing. Every day it becomes harder to kick back on. Finally the machine stops responding to Jake’s running shoe rapping against its side. When the belt stops, it’s done.

Jake sits on the back of the treadmill. He thinks about a wide receiver. Early. Wears 82. Wanted 84 like Randy Moss. They were freshmen at the time, in the equipment room with an ancient man people called Sticky. Early could fix the treadmill.

“Freshmen don’t get to choose,” Sticky said. He threw him 82. Jake was thrown 55, but didn’t care. It was only a number to Jake then.

“55…big number, man.” Early whistled like a cartoon character. “Where you from?” Jake told him. Early’s dark eyes flashed and cracked at the edges. He loved it. “55, from Anaconda.” Early smiled wide enough that a gold molar caught Jake’s attention. Early didn’t hear names of towns like that in San Diego. Early found one thing he liked about this part of America. People could be from places called Anaconda.

Early could fix the treadmill. Early could catch passes across the middle. He could tap two feet in on the sideline even though he only needed one. He made Jake feel more crippled than usual when he would break past his press, getting smaller and smaller as he went further down the field in practice. Early used big words when he spoke to Jake. He spoke another language when he would call home on road trips. Early liked to talk and Jake didn’t. On bus rides the team would sleep, or fake sleep to get out of talking to Early. But Jake would sit next to Early and stare out the window. Early would talk about girls on campus he liked, which places back home made the best burritos and Jake would nod and smile when it seemed right to.

Early now lives out in Rancho Bernardo, California with his fiancé. He works for a mortgage broker in Del Mar. He eats lunch at places that overlook the wave breaks at 15th Street. His football career comes up with clients but is brushed off with a learned modesty. Yeah I played for a bit. Wide receiver. I had a lot of fun. But Early bought the house in Rancho Bernardo because the realtor showed him an attic built above the garage that would be perfect to stash away his life. The jerseys, pictures, a towel covered in dirt and blood shoved behind some plastic awards. It was all nice, but it was finished. Early knew that.

Jake will call him tomorrow. “Are you in class? Can you come over? Thing’s busted again.” Early will hang up without saying a word.

Early can fix the treadmill.

After the call and between interruptions at work, Early will stare at the walls, and through his windows at life moving forward. Bozeman was another world now. The deep twang on the receiving end of his phone was a lonely reminder that he was a lucky one. 67 receptions over the middle. Early couldn’t recognize the unhinged version of himself, outstretched arms and a body that was taught to be destroyed. 82 was bred between the chalk markings on the field to defy his inclinations to retreat from danger. Move towards it, and faster than anyone that did it before you. 82 lived for the sound of chains moving forward. 82 lost sleep wondering if he could live without the screaming praise of total strangers. Early would close his eyes every so often. The screams were distant now. Nobody screams for a mortgage broker in a quiet beach town. But Early had an office and he didn’t share it. It was his. He didn’t have to run fast or lower his shoulder to keep it. He would stare at the walls. His walls.

Early would hang up on Jake every month or so. 55, from Anaconda. There were others. Teammates coaxed by whomever to call him. They would call for 82. 82 has money. 82 probably knows doctors. 82, how are the beaches? Anybody hiring out in California?

55 needed a treadmill fixed. 55 was always one of the good guys. Pretty good ball player, too. He made the middle of the field a terrifying place. Every play with him looked like a car wreck. He’d come out of the rubble, the lone survivor, stumbling around the broken glass of destroyed opponents, barely surviving his own assault. Everything 55 said could fit on a napkin. But he worked harder than anyone who preached the value of hard work. 82 would have never hung up on 55. Early had to.

*

“Send him home to his mother.”


Gardner married a woman who understood the sacrifice. Her father was a coach. Her mother was a coach’s wife. She understood the game, not for its dealings, but what it demanded. It demanded time. She watched wives become ex-wives over this. The game demanded discipline. It demanded violence. She knew her husband left the house every day to shape boys into monsters. Her lips would purse when mothers would call foul on Gardner for being too rough.

If they knew, she would day to herself. If they knew the dangers of being soft in this game. Her husband was buildingthem. If their sons could withstand her husband they could handle anything after the game ends. But every year a mother would cry foul, and Coach Gardner and Mrs. Gardner would stand firm on the life they built.

But Jake was different. He didn’t need Gardner. Jake was the game. He was violence, discipline; there was nothing Gardner could pull out from Jake that wasn’t already present.

There would be times Mrs. Gardner hoped that someone would call for him. A mother somewhere in this world, begging for it to stop. She would watch games with a knotted stomach, furious at no one. Please get off the field, Jake. Get him off the field. Somehow he would pass the tests. She could see the doctors and coaches with constrained expressions as 55 would hobble back onto the field. He was the monster from Anaconda. Jake came off the bus to her husband the way he should have left. We’re giving him something, not many people get.

Five years after she heard this, today, she holds her crying husband at their kitchen table. Over the heaving barreled torso of the man she was bred to love, she whispers.

“You gave him everything, but it’s time, Ray. Send him home to his mother.”

*

It’s light now. Students put their books in their cars and speed off to somewhere. Gardner is in his office taking a name off a magnetic board. Jake is back in his unlit bedroom holding the piece of whiteboard in his hand. The marker in his hand moves fast. The stopwatch is tucked away in a drawer by his bed. Jake’s red eyes move slowly with his fingers wrapped around the marker. He follows the black shapes being created. His head pulses.


55
55
55
55
55
5...

 



KeithJames is an undergraduate at Idaho State University studying sports economics. He is a huge fan of the late Elmore Leonard, David Berri, the Celtics, and gas station coffee.

Ray Scanlon: Hell on Wheels (Nonfiction)

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No longer having the excuse of a decrepit dysfunctional aortic valve—I have thus far been unable to exceed modern medical technology's ability to fix me—I recently rode my bicycle for the first time in two years. I am 63 years old, and my Schwinn Varsity isn't far behind, but it's OK: there is not a chance in hell that you'll catch me wearing Spandex. With a tailwind and negative grade I might make double-digit speeds, yet real cyclists have the decency to nod as they scream by, at which moments I fancy I can see the blue shift.

The week, as they say, had been crazy. There was the unpleasantness at the Boston Marathon, a heart attack in the family, and three separate bouts of car trouble. But my old friends claimed the birth of a grandson, my granddaughters returned from a week-long vacation absence, and I saw my first scattering of dandelions. It was fine indeed to be alive, moving, blood stirring, face to the wind, pedaling my ass off for a brief lap in the race we all ultimately lose.

The Schwinn had a worthy predecessor, a 26-inch Columbia, manufactured in my mother's home town, Westfield, Massachusetts. It survived my childhood abuse of it, though partially crippled. One day, in a contest of speed with the cur nipping at my wheels, I hit a sunken storm drain. Flat on my back in the road, I watched my bike soar in a graceful slow spin over my head and crash at my feet. The front wheel, my camera, and I all escaped injury, but even after I replaced the mangled fork the bike exhibited a distracting crab-wise tendency. As I write it occupies a shrine in the cellar of my garage, where I offer it discarded lead wheel-balancing weights to propitiate the capricious gods of the road.

The storm drain debacle failed to keep the clunky uncouth Columbia and me off the road. It continued to serve me reasonably well. Still I envied my friend Cav his Raleigh: charming English accent, slim-tired, hand brakes, and a three-speed hub shifter. My friends and I used our bikes to travel to each others' houses where we did stupid teenager things. During the warm months we spent long idyllic hours just riding bikes, all the while talking stupid teenager talk. The bikes gave us a mechanical advantage that made exploring our town feasible, but still not so fast-paced that the pleasure ran out because we'd finished the job. We developed our own personal mental version of Google Street View, then extended it to surrounding towns. We always tried to increase our radius, and thereby recapture the delicious feeling that we were leaving known territory. Even today there's no thrill like getting temporarily lost when I'm responsible for no one else and not in thrall to a schedule. There may in fact be dragons.

We were unencumbered by helmets and cell phones. I like to think, no doubt wishfully, that being under our own power and masters of our fates built character, but probably the severest trial we faced was dehydration. On one long, hot ride, about nineteen miles out, my brother and I used stupid teenager talk to try to persuade Cav, by virtue of his standing in the Catholic church, to get us some holy water to relieve our thirst. He demurred, having a year's advantage on me in the rudimentary common sense department. Yet we did survive, scraping together our loose change and sharing a popsicle—nothing worse than a popsicle in a parched crisp mouth. Near the end of another humid and gritty ride we got caught in a thunderstorm and welcomed it with hosannas. The petrichor was heady and the relief was priceless; we didn't care how sodden and chilled we got. I still recall these physical sensations with pleasure.

It was in college that I met and fell in love with the Schwinn. At first sight. A goddamn racing bike! I wasn't aware of the fine points of bicycle taxonomy, nor of the bike's renowned tonnage, but it wouldn't have mattered. Ignorant of so much, and with an impulsive “Just Do It” lack of caution, I decided to ride it forty miles home one Friday afternoon after classes. Perhaps recalling Cav's Raleigh hub shifter, my intuition told me there'd be hell to pay if I tried to shift while I was pedaling; but, of course, you have to be pedaling to shift a derailleur. Before I even reached the city limits the rear derailleur cable broke, the revenge of a Columbia scorned. I wedged a twig into the parallelogram to get myself into a reasonable middle gear and limped home.

For the next couple of years I rode a lot, weekends, vacations, and summers, tens of miles at a time. On my best day I did 80 miles, visiting friends at the beach, and it was no big thing. I rode home from school once or twice more. One evening I broke a couple of spokes on a rocky dirt road two towns over, shanties crowding the road, chickens running amok, a little Appalachia now paved and encrusted with McMansions. To attend a Saturday night party, in the vain hope of getting lucky, I once proposed to ride twenty miles in the dark. Mom was horrified, of course, but Dad quietly managed to calm her, acknowledging that I was crazy. Yet he insisted, in such a way as didn't feel backhanded, that I was certainly old enough to make my own choices and live with the consequences. And so I pointed the bike south and rode, holding a flashlight to warn cars and augment the moonlight. I didn't get lucky.

When I graduated, my faithful bicycle companion joined me in a last-ditch attempt to stave off the real world: I would become a bicycle racer. I said it out loud. There are witnesses. As if a degree in math had prepared me for this, as if anything had prepared me for this. As if merely having the equipment guaranteed success. As if this had the slightest connection to reality on any known planet. To this day my monumental, shameless, preposterous mixture of ignorance and cheek makes me shake my head in slack-jawed embarrassment. You might expect even a twenty-two-year-old with only a half-jelled brain to have enough self-awareness to grasp the towering absurdity of that ambition, but you'd be wrong.

The plan to prepare for my glorious racing career was simple and elegant: get on the road as much as possible, or at least as much as I felt like, and that's what happened that summer. Gradually the reality sank in: my riding was really only casual touring. Distance was the thing; I'd never even tried to ride for speed. I never did enter a race, and my plans died with a whimper.

I began to experience the ineluctable acceleration of time, and years flashed by. Even after the real world seduced me, I continued to ride, just nowhere near as much. I learned my crotch was never going to be tough enough for serious riding, though I'd replaced the hard crusty leather saddle with a wimpish Avocet gel number. And I put on a larger freewheel to minimize my effort on hills. Granny gear may be an abject moral failure, an abomination in the eyes of God, yet it's still legal, and these days especially I'm grateful for it. Occasionally I even wear a helmet.

Untold gallons of water go under the bridge in 40 years. Columbia makes school furniture. Schwinn is just a brand name, and I see its multinational parent company has produced a new Varsity 700c, available in Walmart. I have a pretty good idea it's not made in Chicago. Things do in fact change, but the Varsity has outlasted all of my cars and my first marriage. It helped me outgrow for good my quaint juvenile notion that a body was just a machine for moving my brain where it wanted to go. I may have been invincible in youth, but not now, and it's worked out so that the Varsity liberates, at least to a degree, my creaky body—sheer joy. It's good to get reacquainted with an old friend.




Ray Scanlon. Massachusetts boy. Has grandchildren. Extraordinarily lucky. No MFA. No novel. No extrovert. His work has been published recently in Journal of Microliterature, land that I live, and Camroc Press Review. On the web: http://read.oldmanscanlon.com/.

Why I Write: Andrew Scott

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A baseball player my age is past his prime. When this piece first appears online, I will have recently turned 37.

If I were a bench-warmer for the St. Louis Cardinals—my favorite team, thank you very much, and did you notice our 11 World Series Championships?—I would be the second-oldest player on the team. Carlos Beltran has defied his age this season, a fact underscored so often during broadcasts, it should become a drinking game. Even still, Beltran is younger than me; he was Rookie of the Year during my first semester of graduate school. When he hits a home run, I yell Carlito, motherfucker to the max! at the TV, a line adapted from one of my favorite movies. He looks older now, though he carries himself with an easy grace that belies his slowly-failing body. If his knees hold up, he should play a few more years.

After that, he'll retire from the game, leaving behind a solid career that, in a certain light, might be worthy of the Hall of Fame. And right around that point, if all goes as planned, my writing career will finally start to take off.

I can't play baseball. This is one reason I write.

As a writer, I’m allowed the luxury of the slow learning curve. It’s fair to say I’m just getting started, even though I’ve consciously worked to improve my writing for more than half my life. I’m proud of my story collection published two years ago, even as I recognize that it’s an incredibly small book—around 150 pages—and not fully representative of my abilities or current interests. I can do better. This is one reason I write.

I knew early on that the culture at large celebrates writers well into their thirties and forties. Every few weeks, it seems, someone posts an article on Facebook about a debut novelist in his or her fifties. I don't want to wait that long to publish my first novel, which means my ass needs to be in the chair. This is one reason I write.

My wife and I took out student loans to attend an MFA program. We bought a house and used credit cards to remake it. Our cars are getting old. Groceries aren't cheap. Neither is gas, or my subscription to MLB.tv so I can watch every Cardinals game. We have two cats and a dog. You guessed it: These are eight reasons I write.

I used to imagine that writers wore black turtlenecks to parties and tried to impress the snooty dipshits drinking wine and eating the cheese I later learned to call brie. This is not a reason I write.

Have you renovated a home? I like seeing what's inside the walls, beneath the floorboards, above the ceiling. I especially like the feeling after the renovation is complete, when everything's pretty on the outside but I can still remember the mess made in getting there. This is one reason I write.

Two more reasons:
1. Characters built entirely out of words seem real to readers, which is a kind of magic.
2. I like pushing words around until they click together.




Andrew Scott is the author of Naked Summer, a story collection, and the editor of 24 Bar Blues: Two Dozen Tales of Bars, Booze, and the Blues. His fiction and nonfiction have appeared in Esquire, Ninth Letter, The Cincinnati Review, Mid-American Review, Glimmer Train Stories, The Writer’s Chronicle, and other publications. He is Senior Editor at Engine Books and lives in Indianapolis.

Erik Evenson: Pearls (Fiction)

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Three years working at the sports outlet store and I don’t know how to fit this kid with soccer cleats. His little sister is yelping and mom is getting a look. She says, “I don’t think you have what we’re looking for, thank you.” And they walk off. My manager pulls me aside and reminds me my love for the products needs to show in the pitch I make. If I can’t show this, he’ll have to think about reassessing what I’m doing here.

Yeah, well.

“It could be worse,” Coach Allen tells me over the phone. I’m taking my ten in the break room. “You could be working with Sutton and all those wash-ups. Just be glad you aren’t there, listening to Sutton talk your ear off about when he coached his team to a state championship.” My manager is in the doorway. He looks at me and then his watch and then walks out.

“And the discounts are pretty nice,” Coach Allen says. “Speaking of which, I need a few more balls at that price we talked about the other day.”

“Sure thing,” I tell him.

“Bring them over when you’re done,” he says.

After I get off the phone with Coach Allen, I find the little red straws bunched together in a Styrofoam cup. I pour some coffee for myself and, after really thinking about it, decide the hazelnut creamer is what’s going to make my day special.

Six hours later, I put together Coach Allen’s order and throw it in the back of my truck. I was planning on lifting weights today, but if I’m lucky, I’ll get some pitching reps in instead.

I’m twenty-one. This is my last chance.

Tryouts for the Boise Hawks, our minor-league baseball team, are in three weeks. I’m shooting for a spot in the bullpen, maybe middle relief. My fastball is hovering around 84 mph, a little slow, but it has some movement and my curveball is breaking better than it ever has. Coach Allen thinks I’m peaking, says I’m pitching the best he’s seen since I got banned from high school ball.   

I park my truck in Coach Allen’s driveway. His backyard is a makeshift baseball compound, complete with a batting cage, bullpen, camera setup and small film room. He calls it the facility.

He walks out the front door, Mariners cap cinched around his head, backwards. His skin is tan and rubbery. It’s like that year-around. “Turner!” he says and shakes my hand with a crushing grip. “Glad you could make it. How about those baseballs?”

I hand him a box of twenty new baseballs, still in the packaging.
“Look at those,” he says. For a second, it’s the only thing that has his attention.

Larry Allen was my old high school baseball coach. As he serves the last year of his three-year suspension from officially coaching high school, he is now a northwest regional scout for the Seattle Mariners. He scouts everyone in the Treasure Valley, from Boise all the way to Meridian, Nampa and Caldwell. It doesn’t matter if it’s high school or little league, if he hears about some kid pitching a no-hitter or parking two homers in a game, he’s all over it, making observations and talking into a recorder.

“What’re you doing this Thursday? I’m checking out Mason, this new phenom in Meridian. He’s supposed to be a vacuum in the gap and has hit seven home runs already this season.” he says.

“I need sixty bucks for the baseballs.”

“Put them on my tab.”

“It’s getting up there.”

“I’m good for it.”

“If you’ll catch me a bullpen, we’ll call it even.”

“Get your spikes on.”

Coach Allen looks at his watch.

“We’ll have to make it quick. The kids are coming in 45.”

We warm up, tossing to each other back and forth. After that, Coach Allen squats behind the plate while I get on the mound. We do the same routine: 10 fastballs on both corners, 20 curveballs and 20 changeups. It’s situations after that: Coach stands in the batter’s box, both right and left-handed, and I pitch him counts. As the second batter, with a 2-2 count, I throw Coach a fastball that should’ve been off the plate outside. Instead, it creeps to the middle of the plate. “That’s a double. Or a homerun,” Coach Allen says. “It’s a mistake.”

Placing a baseball exactly where you want it to go is the single hardest job a pitcher has.

We go through an entire situational lineup like this until the kids come. They trickle in one by one, little pieces of a team, the North Boise Giants, no older than nine, ten, gloves on their hands, baseball caps crooked on their heads. They line up on the fence, watching us. Coach Allen tells them to start warming up. They pick out the new baseballs, feel the weight of them in their hands, and start throwing to each other. When there are enough of them there, Coach Allen stops. “I’m Coach Allen and this is Coach Turner,” he says. “You do what we tell you, pay attention to what we do, play fair, play smart, you will become a better ballplayer.”
           
I’m home in my apartment, wrapping a bag of ice around my arm when I get a call.

“Turner,” the guy says on the other end of the line. “How are you?”

This call has come the same time the past three years—right before I try out for the Boise Hawks.

“No comment, Don,” I say.

“Just writing this year’s follow up,” Don says. “Making sure you are still calling it an accident.”

“Nobody’s interested anymore,” I say.

“Are you still hanging around Larry Allen?”

“I said no comment.

“Are you still instructing kids?”

“I’m a good person,” I say. “Put that in your article for once.”

I hang up the phone and see what’s on TV.

Thursday and Coach Allen and I are making the fifteen-minute drive from Boise to Meridian in his truck. We get there and I notice the parking is now paved. I haven’t been on Meridian’s baseball field since high school. The scoreboard is electric, the once-all-dirt infield is grass, and the lighting system is new. Sutton is still Meridian’s coach. He’s in the dugout, pacing back and forth. He has the hunch of an eighty-year old. I don’t want him to see me at all. We sit down behind home plate in the first row of the bleachers. Coach Allen speaks into his recorder, “It is sunny and hot on May 22nd, here in Meridian, Idaho. Tracy Mason is up third in the lineup. He is about 6’1” and looks to be 160 to 170 lbs. He is timing the pitcher’s pitches and seems to be concentrating on his at-bat.” Coach Allen bends down and fumbles through his bag. He hands me a pen and a pad. “Keep his strike count,” he says to me.  

I’m constructing a makeshift pitch count chart on the yellow-lined paper when a man with a lazy eye stands in front of us. He’s put on a few pounds, has a few more tattoos, but still has the familiar blonde-beyond-platinum hair and the milky skin tone of an albino. His haircut is still high and tight, something the military would be proud of if he were allowed in the military, which he almost assuredly isn’t. The socket with the lazy eye is, as always, wet with discharge around the rim. The pupil, instead of being black, is an opaque purple. When he blinks, only one eyelid shuts. It still gives me the heebie-jeebies.   

“Turner?” he says to me. Only his right eye is focused on me.

“Kurtz!” I say. “I hardly recognized you. What are you doing here?” I give him a hearty handshake. He still crushes hard. 

Kurtz points to the dugout. “My kid brother’s in there,” he says. “Almost as good as Mason.” He focuses his eyeball on Coach Allen. “Coach Sutton’s been working with him, but maybe Coach Allen could give him a look.”

“What do you know, Kurtz?” Coach Allen says and then watches Mason prepare, speaking softly into his recorder.

“What do you think?” Kurtz says to him, “Does my kid brother have it?”

“We’ll see,” Coach Allen says. “We’ll see.”

Kurtz turns back to me, “Trying out again?”

I don’t like how he knows this. “In a couple of days.”

“Still at it,” he says.

The first batter of the game strikes out. The catcher throws the ball around the horn. Coach Allen speaks into his recorder, though I can’t hear what he’s saying.

“Better get back,” Kurtz says. “My wife and the little guy will be wondering where I am.”

“How are they?” I ask.

“They’re my everything. You should look into it—a family.” He slaps my shoulder.

“It’s great to see you,” I say.

“Let’s catch up sometime.”

“You have my cell.”

I hope he won’t call anytime soon. Mason is up to bat. Coach Allen begins talking into his recorder. I stop him.

“Why didn’t you tell me he was going to be here?” I ask.
           

Kurtz was muscles in pinstripes back then. First inning, he was in the on-deck circle timing my pitches. At sixteen, I hadn’t quite figured out my curveball. So when I hung one a little high, Kurtz went yard on me, putting his team up by two. He stood in the batter’s box, watching the ball as it flew over the left field fence, his hands above his head in triumph. Then he flexed those pumpkins for biceps in front of our dugout, his one tattoo, a tiger, dancing in front of all of my teammates. Coach Allen called time, walked out to the mound and watched Kurtz strut around the base paths.

“See that?” he said. “Next time he’s up, put one in his ear hole or you’re out of here. Not his thigh, not his shoulder, don’t try to strike him out. Put it in his fucking ear hole.”

The next two innings I struck out the side. I pitched on autopilot, running scenarios through my head, thinking about the quickest way to throw a punch if Kurtz charged—I had never been in a fight before—and wondering if D. Lowe, my catcher, would stop Kurtz before he could get to the mound. Kurtz was going to be the first batter of the third inning. If I hit him then, with no outs and no one on base, everyone would know it was on purpose.  In the dugout, while our team was batting, I walked over to Coach Allen and told him I didn’t think I was up for hitting Kurtz.

Coach Allen looked out onto the field and spat. “You’re the one pitching, Turner,” he said.

When I walked out to the mound in the bottom of the third, Kurtz was timing my pitches again in the on-deck circle. After my last warm-up, Coach Allen called time, asked for a new ball from the umpire and walked out to the mound.

“That asshole jacked one out of the park on you and flaunted it in front of everyone and you want to let him get away with that?”

When I didn’t say anything, Coach Allen looked directly at me. “You need to show him who owns the plate. He’ll do it again if he knows he’s better than you. The difference between great players and the wash-outs is the wash-outs don’t do what they need to do to get it done.” He looked around the field making sure nobody heard him. “You pitch to him the way you like. But, I swear to god, he even puts the ball in fair play, I’m yanking you.” He held up the new ball and shook it in my face. “This is your opportunity, Turner. This is part of the game,” Coach Allen said and dropped the little white sphere into my mitt.
             
They’re called pearls: baseballs that have never been used before, straight out of the box like Christmas bulbs on the fifth of December. The white of the leather clings to the oil on the pads of your fingers. The stitching patterns, in tight U shapes, run like blood vessels over the surface. You can feel the friction when you run your fingers over them. Some pitchers will rub pearls in the dirt or work them over in their sweaty hands, stretching the leather, breaking them in. I never did that. I liked them untouched.
           

I palmed the baseball in my mitt. The leather felt smooth against my thumb; I swept my fingers across the bumpy seams. D. Lowe got the sign from Coach Allen. He crouched, got situated and threw down his middle finger to me, the go-ahead to earhole Kurtz. I nodded, said to myself, you better get out of the way, wound up and let that motherfucker sail.
           
You can only see a baseball for the first fifteen feet after it leaves the pitcher’s hand. From then on, your brain takes over, postulating where the ball is going to end up; it’s like taking a picture with a shutter speed that is too slow. Great hitters are great guessers. I don’t know what Kurtz saw for those first fifteen feet. I must’ve overestimated his ability to react. The pitch might’ve gotten away from me, a few inches to the right of where I wanted it. He was crowding the plate, I’m pretty sure. I’m positive I didn’t want to hurt him, didn’t even want to hit him. He was probably expecting junk pitches low and away, nowhere near him. It’s no one’s fault: that’s why it was an accident—the situation got out of my control.

Kurtz didn’t turn fast enough and the ball hit his cheekbone instead, under his left eye. He squirmed on the ground, making throaty noises and holding his entire face, trying to contain the blood from what I later found out were burst arteries around his crushed eye socket that were staining the batter’s box an almost beautiful dark purple. I walked towards the batter’s box to see what happened. A small crowd gathered around home plate. Kurtz kept on screaming, “I lost my eye!”

Sutton was yelling at Coach Allen. Many of the parents from the other team were calling for my head. When the ambulance arrived, I found the few seconds alone I needed to escape to the public restrooms. I closed the stall and threw up so hard that some of the chunks missed the toilet and soiled my uniform.

Kurtz had to go through five reconstructive surgeries and lost all vision in his left eye. He was finished playing competitive sports.

That night, as our team got off the bus, Coach Allen pulled me aside. “What you did was the right thing,” he told me. “Tonight, you write a letter to the Kurtz family, apologize, and see Kurtz in the hospital a couple of times.” He put his hands on both of my shoulders. “This wasn’t anything against Kurtz as a person, understand? This is how you play baseball, especially if you want to take it to the next level. I’m not doing you any favors by telling you otherwise.” I nodded in agreement. “Just do as I tell you,” Coach Allen said, “and they may let you back in after this.”

Coach Allen must’ve seen that I hadn’t expected to be punished.

 “Sutton is bringing this to the league. You’ll probably be out for a while. Maybe indefinitely.”

I was angry. I was scared. I didn’t know any better. I started to cry.

“Here,” Coach Allen said. I thought he was reaching for some Kleenex or a handkerchief in his pocket. Instead, he handed me a wad of cash. Later, I counted it. He gave me one hundred and fifty dollars. “You’re a smart kid,” Coach Allen said. “You have the mindset of a professional. You should be paid like one.”

Don was one of the parents on the other team. His story jumped the sports section and made it to 1A, a long rant on the relationships and responsibilities of coaches to their players. People tell me the reason Coach Allen was suspended for only three years and not indefinitely was because I refused to be interviewed, tacitly taking the bullet that was aimed for his head.

In the last inning, Mason hits his eighth home run of the season. He runs around the bases slowly, carefully. He makes sure that it looks like it wasn’t a big deal to him. He tips his hat to the crowd as he walks back to the dugout. “I’ve never seen such a performance by someone that young,” Coach Allen says to me. “The kid’s good.” I’ve seen enough.

“Let’s get out of here,” I say.

Before Coach Allen drops me off, we stop at McDonalds. Coach Allen orders a hamburger and fries with a banana milkshake. I’m not hungry. I order a Diet Coke. We sit down. Coach Allen squirts packets of ketchup over his fries.

“Mason has control up there—poise. You don’t see that with kids his age.”

“Nope,” I say.

“I talked to Mason after the game. I told him he should come to the facility, take some batting practice.”

“That’s nice,” I say.

“I want you to pitch to him.”

“No.”

“Now, hold on, Turner. I’ve invited some other scouts from all over the Northwest, so if you do well, it will generate some buzz for tryouts in two weeks. Don’t think you’re the only one putting your neck out there.” Coach Allen finishes his hamburger. “You take your shots. That’s what you do. If you don’t, you end up a wash-out.” Coach Allen leans back and rests his arm against the back of the flimsy red booth we are in. “Sutton never understood that. He’s a good coach, but he doesn’t have what it takes to be great. Talent will only get you so far, Turner. You’ve got to be hungry. You see an opportunity, you grab it. Why do you think Kurtz never gunned for you after you plunked him? Why his family never came after you financially? He knows how the game is played. You know it. And this Mason kid sure as shit should know it.”
“But Sutton doesn’t?” I ask.

“It’s time to grow up,” Coach Allen says.
           

After I get home, I go out for a seven-mile run. My pace is better than it has been since I was in high school. I’m flying. I’m not short of breath and my legs are feather-light. I’m not breathing heavily and I can feel my heart rate maintain a steady rhythm.

Then I hit the weights. I bench three sets of eight reps at a hundred and ninety pounds, the first time I’ve ever done that, and then I squat three-hundred and pounds five times. I ice everything down afterwards.

I get a call. It’s Don again.

“No comment,” I say and hang up. He calls again. “What,” I say.

“My follow up is coming out tomorrow,” Don says.

“Can’t wait.”

“Next year Coach Allen will coach high school again. He’s already starting the process this summer. Thoughts?”

“Fine.”

“I talked to someone who knows who his assistants are going to be. You aren’t on that list. My source says that Allen doesn’t want to attract unnecessary attention.”

“Bullshit,” I say. “I’ll be playing for the Hawks.”

“I hope so,” Don says. “I hope so.”
  

There are more people here at the facility than I thought there were going to be. Mason is here, of course, as well as Coach Allen, three scouts and a team of little leaguers dotting the fence. “What are they here for?” I say.

“Schedule conflict,” he says. “They’ll learn something here, though.”

We make our introductions. Of the scouts, two are for the Angels, one is for the Cubs.

“Turner, start getting your arm warm. Throw with Mason. The adults need to talk.”

Mason grabs his glove. He’s eager, because he’s trying to look not eager. Whatever he is doing, I can tell he’s nervous as shit. I’m going to mow these pitches by him.

“I heard you played for Allen,” Mason says.

 “Yeah, I did.”

We throw for about five minutes. My arm is humming, so I put a little extra on a few of the tosses. Mason must be able to tell.

“He says I could probably learn some things from you,” Mason says. He wings one pretty hard himself.

“I doubt it,” I say.

“Allen said maybe we should sit down sometime and talk.”

“Maybe.”

“I think I’m ready,” Mason says. “Are you?”
           

Mason and I get into the batting cage. I walk to the mound and he to home plate. Coach Allen makes his announcement: “I’m Coach Allen and today, these are my assistants.” He points to us. “You see these three men? They are scouts from the major leagues. You do what we tell you, pay attention to what we do, play fair, play smart, maybe one day these men will come to watch you. How does that sound?”

The setup is two scouts behind Mason, watching him hit and one scout and Coach Allen next to me near the mound. “Give him everything you got, Turner. We want to see what he’ll do to a fastball, curveball, and a changeup. We’ll be clocking your pitches, as well.”

I throw a few balls off the plate on purpose at first. See if the little guy will bite at anything bad. Anything he does poorly makes me look better, so I’m trying to win a few easy points. But he doesn’t swing at any junk. I figure, fuck it, let’s see what he’s got and give him some mustard, a fastball low and inside. He swings and it comes screaming right back at me.

“Throw another one of those, Turner,” Coach Allen says.

I wind up and send one to the outside part of the plate. Mason swings and takes it the other way, just like he’s supposed to. The scouts behind home are writing furiously. “Told you,” Coach Allen says to the other scout. I don’t like the tone of that comment.

“Throw a few more fastballs, Turner. Paint the plate both outside and inside. Then mix it up a bit.”

I throw my two-seam. I throw my four-seam. I throw my cutter. Mason pelts almost every single one. I set him up with a high fastball, which he doesn’t swing at, and then drop in my curve. Mason takes my curveball right over my head.

I throw him a changeup. He doesn’t bite. I throw him another changeup. He hits it foul. After that, I bring a fastball, really rear back, and try to put it by him. He hasn’t swung and missed yet but I figure he won’t be able to catch up with this fastball after seeing a few changeups. He swings.

I don’t even want to know where that pitch would’ve ended up without a cage surrounding us.

Coach Allen and the scouts are talking in vicious whispers. I can’t hear what they are saying. “Ok,” Coach Allen says. “We’ve seen enough. Mason, they want to talk to you.”

“Wait,” I say. I’m probably finished. But I can’t help myself. “Just a few more,” I say.

“They’ve seen what they need to see,” Coach Allen says.

“Just one more. A situation. You owe me one.”

Coach Allen turns to the scout and says something that I can’t hear. He opens the batting cage and says to me, so that no one can hear, “I don’t know what you’re trying to do here, Turner.”

“One more,” I say.

He walks towards home plate and turns his hat around backwards. I throw the first pitch. “Ball,” he says. Second pitch is outside, just missing the corner. “Ball two.” Third pitch is a fastball towards the middle of the plate. “That one would’ve been a homerun,” Coach Allen says.

“No, it wouldn’t have,” I say.

“That’s it, we’re done.”

“One more.”

Coach Allen looks at the scouts. He says, “You better give them something they’ve never seen before.” It’s all the justification I need. I wind up and send one screaming.

 

Erik Evenson was born and raised in Boise, Idaho. He moved to Seattle when he was 18 and has stayed there since. He has published work in PANK, The Rumpus and Spartan Magazine, among others. He lives with his wife, Susan, and their three chickens.
           

Michael K. Brantley: Small Game (Nonfiction)

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“There he is!” shouted my brother.

I had my shotgun pointed down at the ground and quickly swung it up to my shoulder. I flicked the safety off with the thumb of my right hand, lined up my shot, and pulled the trigger.

As the firing pin struck the primer, there was a flash, explosion and kick. The power of a .410 shotgun, while considered a small gauge, is still impressive. My ears numbed as the shot echoed off the edge of the woods on the far western point of the farm, and the pungent but pleasing aroma of gunpowder blew back in my face. I could feel my heartbeat throbbing in my cheeks and ears, but there was complete silence, save my instinctive “click-clack” ejecting of the green shell casing and the sliding of the safety back on.

It had all happened in two seconds, maybe less. I waited for the smoke to clear to see what I had done.


I got my first gun for Christmas when I was 13 years old. I’ll never forget waking up that morning and finding the long, narrow, plain cardboard box that held my brand new Remington. It was a complete surprise. I had been asking for a gun every Christmas for as long as I could remember, so I could hunt and shoot sheet and generally be manly enough to hang out more with my brother, Bill, who was 10 years older, and quite possibly the coolest guy I knew.

The gun was a work of art, the metal bluing smooth and flawless, and the brand and specs stamped on top near the breach. The wood finish was dark walnut, with lots of visible grain, just like my dad’s rifles and shotguns that he kept locked in his bedroom. Most importantly, my shotgun was pump action, just like my dad’s favorite 12-gauge, the one my brother and I would always argue over when it was time to hunt or target shoot. Daddy’s Sears Ted Williams model semiautomatic was smoother and faster and more accurate, but there was something about a pump action — the racking, the fluidity acquired through practice, and the timing required to realign that made that gun more appealing to shoot.

For the rest of that Christmas break, tin cans, pie pans, clay targets all became casualties of my obsession with practice and accuracy. I had seen Daddy’s medals for marksmanship in Korea, and wondered if that was a trait that could be passed on. I didn’t want to leave it to chance, so I practiced. Santa had provided ammo, but two boxes didn’t last long. I don’t think Mama particularly cared for the constant gunfire going on in the backyard. I don’t know how she controlled her protective urges over her baby, the youngest of five children by a good measure.


When I was around nine, I was allowed to use Bill’s old lever action Daisy alone in the yard. Even though the gun could not propel a BB fast enough to break a tin pie pan at 20 feet, I was certain I would be able to keep crows out of the corn, take down some birds for supper and possibly kill a bear, despite the fact I’d never seen one on the farm. Daddy and Bill had drilled gun safety into me from what seemed like the crib: Every gun is loaded. Never take a gun more powerful than a BB gun out of the rack without an adult present. Always carry a gun with the barrel pointed at the ground. It is acceptable to carry a gun on your shoulder, but not if there is anyone behind you. When climbing a fence or crossing a stream, lay the gun down where you are going, barrel pointed away, first. Anywhere you can’t do this, don’t go. Never look in a barrel. Never swing a gun parallel. Safeties might be off even when they look on. Empty a firearm before entering a house, load outside. Never clean a gun with anyone else in the room. Never shoot without knowing what is behind what you’re shooting at. Never hunt anything you don’t plan to eat, with the exceptions of rodents and pests.

These principles were not exclusive to my family. Guns are an essential part of the home in rural North Carolina. They help put food on the table and provided home protection where the nearest law enforcement help was a half hour away. In high school, many classmates went hunting before class during deer and duck season, and hung their shotguns and rifles in gun racks in the back windows of their locked pickup trucks. The FFA chapter had a skeet shooting team, and they practiced on school grounds, just like the athletic teams. Despite the fact that I think my mom was overprotective, I would not for a minute consider allowing my smart, responsible eight-year-old out of the house with a BB gun alone.


That Thanksgiving of my last squirrel hunt with Bill was one where the sky looked like it does an hour after sunset, all day long. Bill lived with his wife and newborn on the north side of the farm. He came by early for a pre-lunch trek to the woods.

Despite the warmth of my bed, and a rare day to sleep in, I was up quickly. I pulled on old jeans, a flannel shirt, and my hunting vest that had slots for plenty of rounds. It was ironic that in a dozen forays into the woods over the past two seasons, I had fired a total of one time at a squirrel, but had room on my vest for an entire box of shells.

I grabbed a biscuit as we headed out the door, and felt the pinpricks of cold on my face that foretold winter. We hiked just past the soybean field that in less than a decade would become the lot on which my wife and I would move a mobile home, and then later build a house. But that day, the field ended at a two-track path the width of a tractor. We found an opening in the poplar, pines, oaks, black walnuts and maples, and started our walk, careful not to drag feet across dry leaves. We looked for evidence of our prey: cracked acorns, nut shells or scat. We had never hunted there before.

Some hunters stalk squirrels or use dogs. Bill’s method was to find a quiet place with a good field of vision, a spot where the hunter could sit on the ground with his back against a tree. He would drop me off and then move farther along for his own spot, where we’d have safe ranges of fire. Then we sat and waited.

A hunted grey squirrel can sit perfectly still and not make a sound for at least an hour. These animals are not the type you find in parks and on college campuses, a pet-like fur ball that will approach a human within a few feet out of curiosity and desire for a handout. Grey squirrels in the wild are crafty, smart survivors. They are athletic. You rarely see fat squirrels, because fat squirrels are slow, and slow squirrels don’t live long among foxes, coyotes, owls, hawks and other predators.

I was not a natural outdoorsman. Never growing out of childhood impatience or desire for action, I had long ago given up on pond fishing. I just couldn’t handle the sitting and waiting and swatting insects in the heat of summer, nor did I have any desire to dine on catfish, crappie or bream. But hunting was different. Deep in the woods, trying to be still, required concentration and heightened the senses. Once the hunt began, Bill and I didn’t talk until we exited the woods. I sat and listened and thought. I heard leaves rustling, and then nothing. Birds finding their way back to nests. I wondered about the hunters who came before us, how much of the landscape was the same. Some trees were bigger and some had fallen, but essentially the forest floor was unchanged in the last 100 years or so. I thought about history, how soldiers had camped in woods just like these, for shelter and protection from the enemy in the Civil War, and I considered the haunts of a sentry’s imagination when hearing the same rustling I heard. My brother and I were the only armed people in those woods. What sheer terror it must have been to hear footsteps, to be the prey, not the predator, and to know the only defense was a primitive, one-shot musket. I thought about what my future would be like, what I would do, how I would one day return to the same woods with my son and show him the same places I once sat.

Time slipped away quickly that morning. After a couple of hours, Bill walked over to me.

“Seen anything?” he asked.

“Nothing. How about you?”

“Not a thing. Let’s go eat.”

We went back through the opening and had just stepped on the path when my brother shouted. I realize now he passed on the shot for me to take it. I didn’t hesitate and tracked the squirrel across my sights as he jumped from one branch to the other. He seemed as big as a dog. I fired. Before the smoke, I saw him flip downward.

“You got ‘im!” Bill shouted.

We hustled over to the edge of the woods, not wanting to let a wounded animal get away and suffer. That was another rule. “He’s a nice one.” Bill said. “Good shot.”

I didn’t know how the squirrel would taste, but I knew it couldn’t be better than that sounded.


Even in the hands of a skilled knifeman, dressing game is at once violent, graphic, bloody and real. Back at the house, my brother pulled out his hunting knife, and dispatched the head, paws and tail of the squirrel. I presumed he learned this from Daddy. He handed me the tail as a souvenir from the first kill, saying we’d preserve it (which we didn’t) and then proceeded to peel the hide off the squirrel like a doll’s jacket. The squirrel seemed much smaller in this state, and it was obvious that it would take a bagful of them just to be a side dish for a family meal. He washed the carcass under an outdoor spigot and used the knife to remove spent pellets from my .410. I fetched a zipper bag from the kitchen and he tossed the meat into Mama’s freezer with assurances that we cook and eat it soon. We never did.

That was the last time I went squirrel hunting. While I thought my brother and I would hunt together forever, that was one of our last outings in search of small game. We went dove hunting the next two seasons, which was far more challenging and rewarding, and we grilled our success the night of the hunts. But by that point, I had come to realize that hunting was not going to be a long-term interest. The image of that field dressed squirrel has never left me. There is an old saw in sports that says you have to be able to see yourself making the shot, or the catch, first, before you can complete it. I never could see myself pursuing, killing and cleaning. That was what I took away that morning, rather than food for the table.

I preferred competition, whether it be skeet, or handguns, or rifles. This was part of the appeal later when I earned my concealed carry permit — a certain number of shots had to be placed in a specific range in a fixed amount of time to qualify (in addition to safety training, a written test and a background check). Sport.

The following falls, I hunted pickup basketball games, choosing well-placed elbows and turnaround baseline jumpers to do my dirty work, rather than a long, sharp, unsheathed blade.


My boys, eight and six now, frequently ask about fishing and hunting. My wife, whose grandparents lived on the Neuse River, usually takes them fishing. I have suggested we might try fly fishing, something I’ve never done, because it is active, and they were intrigued by “A River Runs Through It.” Hunting is yet to come.

My eight year old asks when I will allow him to have a BB gun. We’ve already talked about gun safety quite a bit, and I’ve made no secret about where the guns are kept — locked — and how they are to be feared, respected and handled. Their time will come soon enough, and I won’t deny them the experience. I want to share it with them, much like we do sports now. I appreciate those moments, because Daddy never played basketball or catch or went hunting with me, and I have kept that promise to myself that Kent and Lowell will never have such a void. We’ll go in those same woods one day, and find our spot and wait. I don’t know if the boys, who are more energetic than I was, will appreciate the quiet time and the concentration required. But I hope they don’t kill anything. I never learned how to field dress a squirrel.




Michael K. Brantleyis an English instructor at Louisburg College. His creative nonfiction, fiction, and poetry has most recently been published or is forthcoming in Word River, Bartleby Snopes, Revolution House, The Smoking Poet, The Fat City Review, Short, Fast, and Deadly, The Rusty Nail, The Circa Review, The Cobalt Review and Prime Number Magazine. 

Rana McCole: League Leader (Fiction)

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It’s not a funny story. It could be. He wishes it were funny. If someone told Chris this story, he’d crack up for sure. But the way the whole situation went down makes him feel kind of frustrated every time he thinks about it. In fact, Chris thinks about that summer and Tracey a lot. She was his girlfriend in high school—the first of two. Chris will tell you he’s fucked lots of girls, but as far as real girlfriends there was Tracey and Michelle. He married Michelle, so she doesn’t count, which makes Tracey his first and only real girlfriend.

The story starts at the Des Moines Target—the busiest Target in Iowa, right out on Army Post Road, which runs through the center of town. Housewives crowd the aisles during the day with their rug rats and some nights it can feel like everyone in the city is in that store. Like everybody in Des Moines needed new sheets or a screwdriver or some toilet paper at the same time.

The night that Tracey and Chris were there, Target was more than packed. It was a zoo. Chris heard once that Des Moines was home to the richest people in America. He’d thought it must be a joke because everyone he knew was broke. In the report the newsman said that people are rich in Des Moines because they don’t spend most of the money that they earn. It seemed to Chris that people loved to spend their money on dumb shit just like he did.

Chris makes a decent living, better than most of his friends. He works for his cousin, who is a general contractor, and he still gets to play baseball in Birdland Park in the evenings and on weekends. He’s a league leader in the DMSBL—the Des Moines Semi-Pro Baseball League. Chris’s team, the Titans, are ranked highest overall in Iowa. He’s not proud of himself— not too proud because he should’ve been in the majors, but that’s life. Most of Chris’s teammates are in his boat. They got girls knocked up early or became alcoholics and it killed their chances. If Chris didn’t have a kid to take care of, things would be different. He thinks he might be under contract, probably making tens of millions. He always had that kind of raw talent. People expected Chris to be famous—at least his mother always thought so. In a local TV spot, after they’d beat the Nite Hawks, Chris offered advice to youngsters watching the Des Moines 6 ‘o clock news: “Use a rubber, kids.”

It had been a record hot day and was still hot in the Target the night Tracey and Chris went, not only because of the crowds, but because the air conditioner had malfunctioned. The humidity made it so that everything stuck together, and he thought the red shopping carts might melt together, as if performing some kind of plastic copulation. Chris secretly thought objects had minds and lives of their own. He would be quick to assure you that he’s no psycho or anything, but he swears sometimes that he can see faces on ordinary things, like they have feelings. His favorite baseball bats, for instance, all have a different personality. When Chris’s having a bad game, he thinks it’s because his bat, Sally, is probably in a shitty mood because she’s on the rag, or that Jasper is being a dick about the rain. At times, to a fan in the bleachers, it can appear as if Chris is arguing with one of his bats. Most of the time, this anthropomorphizing serves him well, as he’s the best hitter on the team. Chris is a league leader in home runs. Tracey would watch him play ball in high school, but that was before things went sour and before she got all high and mighty on him.

Tracey was in the stationery aisle, looking at notebooks and pencils, and Chris was bored as hell. The idea of going to Target was born out of a growing malaise and because Tracey wanted to get her school supplies in advance for senior year. It was July.

“You know about senioritis, right?” Chris asked.

“Yeah, I know about it, so?”

“Nobody even goes to class their senior year. You don’t need notebooks. You won’t even need textbooks.”

“Yes, I will.”

“Hell, I’m not even bringing a pen.”

Tracey laughed. “Not everyone can play baseball, Chris.”

“You just need to not be afraid of the ball.”

“Yup. Then I’ll go pro, for sure.”

“You got a good arm for a girl.”

Tracey scrunched her nose. “So do you.”

“Good one,” Chris said, pulling her toward him. She smiled. He kissed her neck on the spot that made her go crazy.

“You got a good mouth for an underachiever.”

“That’s why you love me.”

She pulled away from him. “Who said I love you?”

“You did.”

“I love… when you kiss me there.”

“Right,” He shrugged. “I’m gonna go play video games. Come find me when you’re done.”

Tracey was reaching for a pack of highlighters as Chris walked away. She was focused on getting into college and wanted to move to New York City. Chris wondered why anybody would want to live in a crowded, dirty city like New York. He thought it must be like being at the Target in Des Moines 24 hours a day. They said the Big Apple never sleeps.

Before that night at Target, Chris believed Tracey was cool. Being cool, to Chris, was the highest status of girlfriend-dom. Tracey’s coolness was demonstrated by her attendance at his home games and her antics at house parties and her enthusiasm for drinking a lot of beer in the woods and in Chris’s basement. He had told Tracey that he loved her because he did. Chris wasn’t even ashamed to admit it.

They’d taken each other’s virginity and that made Chris pretty confident in their relationship. He thought Tracey was great in bed. She always had new moves and stuff she would try. He had guessed she was a great lay because when they’d met at the end of freshman year at Tommy Shultz’s party, they’d danced all night together and she was a seductive dancer.

Tracey’s hair was short and shiny black, which Chris preferred to all the bleached blonds he knew. She’d smelled good to Chris even after they ran track together. She was artsy and would draw pictures that looked professional. But mostly, Chris thought she was just really laid back and fun as hell to be around.

 Tracey found Chris, and after leaving her handbasket on the floor by an end cap, they messed around in the toy aisles. They were just being silly—grabbing toy guns and shooting each other, and pulling strings on dolls to make them talk, and throwing Nerf balls—trying to peg the other one in the leg.

He remembers holding up this doll when they were both out of breath. “Let’s make a baby,” Chris said.

“You are a baby,” she laughed, and then she pegged Chris with a koosh ball she’d been hiding, and darted down the doll aisle, squealing.

“Fuck. You’re asking for it,” he said. When he caught up to her, Chris held her tight against his body while she kept shrieking and laughing and fighting to get free. He knew then that he might not get to stay with her. He had this feeling, like she was already in New York.

After they left the toy section, the two of them cruised around, stopping for a few minutes by a clearance rack where Tracey stuffed different colors of the same t-shirt into her basket. Chris first noticed that people were staring when they were in the pharmacy section. He remembers a group of middle school girls walking toward them giggling and covering their mouths with their palms. But most people were just shopping and not paying them any attention. It wasn’t until Tracey said that she thought this creepy hobo was following them that Chris started to think something was up.

This weirdo was slinking along on the other end of the hardware aisles and kept looking at Tracey. Chris thought he was looking because Tracey was hot and he liked to stare. He could have easily killed him with one punch, but all he had to do was eyeball him until the hobo got scared and disappeared.

Later, as they stood in the checkout line, a bunch of people openly stared and pointed. Chris touched his hair and tried not to be obvious while he checked himself out. He thought maybe he had gum stuck to his back or his boxers were showing.

Chris couldn’t figure out what was so damn funny. Tracey was in front of him. Her back was turned, but he could see her trying to act like she didn’t notice that people were pointing and laughing. She was always like that—quiet and good at not letting on if people got to her. Chris admired the way she kept most people at a distance. It made people wonder about her, and it was probably why Tracey was popular in school. She had a way about her that made her desirable, but just out of reach.

The line moved and Tracey started to unload her basket onto the conveyer belt. That was when her body froze and her face changed. The whole exchange took seconds, but he remembers her then like it happened in slow motion. She looked like a different person in that moment because he had never seen Tracey make that face before. All she said was, “Oh my god.”

 He looked down and that was when he saw it. At first, Chris thought she had taken it out as some kind of joke, and he didn’t like it. But then he saw that the clothing hangers that stuck out of her basket had hooked onto her tank top and pulled it so her fucking tit was just… out. Her little boob was exposed—nipple and all. It was strange being in a checkout line at the crowded Target with Tracey’s tit out there for everyone to see, and Chris couldn’t help but laugh. Tracey unhooked the hangers really fast, like she had a spider on her, and then she dropped the basket on the conveyer belt and ran away.

He looked around for a second and mostly everyone standing near him was watching. Chris wasn’t sure if they all had seen her tit or they just thought he had done something to Tracey to make her run out of there. He shrugged to the cashier and took off after her. When he made it to the parking lot, she was by his truck smoking a cigarette. She knew he hated it when she smoked, but Chris wasn’t going to come down on her when she was upset. Chris didn’t know why, but he started laughing again. It wasn’t funny, but he was laughing out of habit or nerves. He knew she was crying and all, but figured she might start laughing, too. She and Chris had laughed a lot, and he didn’t have anything else to offer her right then.

Tracey didn’t laugh. She didn’t even crack a smile when he asked, “Didn’t you feel a breeze?” They got in the truck, and she still looked like a different girl to him, which made him feel scared. She was shaking a little, even though it was 100 degrees inside the cab. “You need a beer?” he asked.

She stared ahead and after a little while, she told him to take her home. He headed to her house, but he didn’t get why it was all such a big deal. It was still only 8 o’clock, and they usually were out until midnight because Tracey hated her parents and only slept and ate there. Her father was a drunk and her mother had moods and it got pretty intense. She didn’t talk about it a lot, and they spent most of their time in his parents’ basement, which Chris made into a chill room. His parents, especially Chris’s mother, thought he was a saint because they thought Tracey was an angel.

He asked her if she would rather go to his place because her parents were probably still awake, and she said softly, “Take me home, Chris.” The way Tracey said his name was different then how she had said it before. She said it like he was her kid and she was disappointed in him.

They pulled up to her house, and that was when Chris said something that he regrets saying. To this day, he can’t tell you why he said it. He took her hand. “It was your boob, Trace. At least you didn’t show everyone your cunt.”

Tracey’s face got redder, and she pulled her hand away from him. She got out of the truck, and then leaned into the open window and said, “One day, I hope you learn to think.” He thought she was being a bitch because she was embarrassed that she flashed half of Des Moines and she’d calm down eventually. But that was the last time she talked to him.

At school that year, he saw her with her friends in the hallways and she ignored him. Chris called her house, but it was like she pretended he was dead. After she graduated, Tracey got into NYU and moved to her dingy dream city. She’s going to graduate soon. He sometimes wonders if she’ll ever move back to her hometown—probably not.

It’s been almost five years, but when he has to go to Target with his wife Michelle to get clothes or whatever for their son Mac, it’s like every object in that place has Tracey’s face and her personality. But it’s not the face that she had when they were going out; it’s the face she had that night when she told Chris that she hoped he learned to think one day.

He’s not sure why she hated him so much after that night. He really doesthink, but his mouth and his brain don’t always work together, like when he told Michelle that the Target’s bulls-eye reminded him of a boob because of what happened with Tracey. She rolled her eyes, and turned her back on him. But later when he told her about the tiny dark hairs around Tracey’s nipple, she laughed and they ended up fucking beside the washing machine.

Chris knows he could be better and that he’s let people down now and then, but Michelle would never quit talking to him forever. She and Mac and all the people in the bleachers at Birdland Park cheer him on night after night, and he always plays his heart out, no matter what. Some nights, when he hits one out of the park, Chris can’t hear the crack of his bat or the roar of the crowd or his heavy breathing, only the faint sounds of laughter just out of reach.

 

Rana Mc Cole traded the mean streets of North Philadelphia for the sun-drenched byways of Los Angeles at 18 years of age. She is currently completing her MFA at Antioch University and writing her first novel. Her stories have appeared in TheRightEyedDeerand Two Hawks Quarterly. A strict pessimist, she is rumored to reveal rare instances of positive thinking under the cover of darkness only to her husband and their beloved dog.


Why I Write: Nicolette Wong

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Because I have filled my heart with mud to stop it from vaporizing.

Pick it up. My new disappearance. Cast it to the side.






Nicolette Wong is a dancer, magician and editor in chief of A-Minor Magazine and Press. She lives in Hong Kong. Visit her at http://nicolettew.blogspot.com.

Patrina C. Jones: CHIL'REN (Poetry)

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Innocent chil'ren play in sandboxes, boys and girls
Alike. No barriers exist beyond fits and fits of giggles,
Full circle cartwheels. Chil'ren perform the duty of
Mayor in carefully built castles. Adults sit on the
Outskirts, in no hurry to stir trouble. They are too
Relaxed to hiss or hate. The boys play while one girl,
A pre-queen, glides giddy up the stairs, legs free and
Serious, hands flinging out to sea. You'll see her,
Eventually, hopscotching down the boulevard of
Life, needless and free, waiting on Time to heed
What we all know to be true. This sweet, sweet
Life gets on. This sweet, sweet Life gets through.





Patrina C. Jones holds a Ph.D. in English from SUNY Stony Brook University. She is an Essayist and a Poet. She resides in Brooklyn, NY.

Matthew Callan: Hang a Crooked Number (Fiction)

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The game is a sham but I still have to work on my swing. I’ve been lost at the plate for so long you can’t call it a slump. You’d have to invent a new word or borrow one from a language more direct than ours. Fastballs that were once as fat as beach balls have shrunk to the size of dimes. Curveballs break a split second before I expect them to. I don’t know what I’m doing wrong, or what I’m not doing that I used to do. Nothing I’ve tried has worked so far. Still, I try.

Dad once made me stand waist-deep in water and swing a bat. He said the surface of the water subconsciously urges you to keep the bat level. A level swing prevents you from getting under the ball or chopping it into the dirt. That translates to more line drives, which translates to more hits. I don’t know where Dad got this idea, but he believed it deeply. I could have shown him scientific proof it was the batting practice equivalent of a placebo and he would have nodded and ordered me to get back into the water anyway.

I’m 99 percent sure the swinging-in-water exercise won’t help at all, but I’d rather cling to one percent than nothing at all. So I jog down what’s left of the Coney Island boardwalk, a Louisville Slugger clutched in my right hand, a beach towel tied to one end of the bat. The towel jerks wildly every time one of my feet touches down, whipping me in the face. This look should not be cultivated by someone in my line of work. My job demands blending in. But my job also demands being good at baseball, so here we are. I need to make the majors. It is a thought that has propelled me forward for so long it is no longer a thought, really. It’s closer to a callus, something I’ve leaned on for too many hours.

Coney Island feels strange and silent at this time in the morning, before the crowds arrive. The rides are still, the food stands that serve up warm beer and rubbery clam strips shuttered. A few short hours from now, the horizon will flutter with bands of vaporized grease and the heat billowing from all the grills frying acres of meat. But right now, there’s no sizzling to be heard. There’s no noise at all beyond my own panting, my feet hitting the boardwalk, the caws of seagulls, and the thud of waves pummeling the shore.

No one else is near the beach now, save for one man with a metal detector who sweeps over the sand in slow arcs. He looks a bit too pale for his hobby, a black baseball cap pulled low and tight on his head, brown socks yanked high up his calves. Not a likely threat, but perhaps a tail. I haven’t been out in the field much since I got back from the DL, and I feel the rust of my time away.

I jog past a quartet of benches positioned under a curved concrete canopy. Two old men, nearly identical, sit on opposite ends of one of the benches. One wears a light blue polo shirt with thin dark blue stripes, the other wears a tan polo shirt with thin black stripes. Same khaki pants, same glasses with thick black frames, same straw boater hats that only old men wear, same sagging, grunting faces. Each one looks determined not to turn and face the other. Budget analysis: harmless.

Everyone is either a Threat or a Non-Threat. I must determine who falls into what category. I can’t concentrate on what’s important until I know what I’m allowed to ignore.

I exit the boardwalk right before the point where the last storm tore away a ten-block stretch and tossed it into the ocean. Or maybe it was the storm before that. It’s become hard to keep track. The storms tend to happen in the offseason, when I’m either playing in a winter league or engaged in refresher training. Lengths of faded yellow police tape cordon off the jagged ends. The bigger lengths of the old boardwalk jut out from the surf beyond the breakers, beached whales stuck on sand bars. A large sign the city has tacked to the railing along the beach says THE BOARDWALK WILL BE BACK! followed by a movie credits’ worth of municipal leaders, but the lettering is scraped and faded. The only hint of construction is a small DOT dump truck parked nearby, filled past the brim with broken wood and topped by all the junk passersby have tossed inside. A 12-foot length of replacement boardwalk has been installed, made of some kind of polymer resin rather than the old wood that used to stand here. The new length stands equidistant from the ruined ends of the wooden boardwalk. It’s stood there, lonely and longing for as long as I’ve lived here. It speaks an unvoiced WE TRIED to the universe.

I descend from the boardwalk to the beach, and the change in terrain interrupts my pace. My legs wobble for a few steps before I adjust and move on. Soda cans, beer bottles, and condom wrappers lie in my path, skittering in the breeze, bumping each other and retreating. There’s more garbage than the last time I came out here. This week was Coney Island’s turn to get the short end of the stick in the Sanitation Department’s rolling service disruptions. Bad scheduling on the mayor’s part, doing this during the busy season when the garbage begins to ripen.

I kick off my sneakers, untie the towel from my bat, and head toward the surf. Summer is here according to the calendar and the temperatures, but the winter still clings to the ocean. An Arctic chill whips across the foam. I charge into the ocean without stopping. Best to enter this water band-aid removal style, one quick yank. The water numbs me from the knees down, and it feels wonderful. Catchers and pain are never separated for long. Most of my body is 25 years old, but my legs are halfway to retirement.

I take a few cuts. Nothing feels right. When I lift my front foot, it comes to rest in the muck of the ocean floor. I can’t plant and pivot. The water puts up too much resistance to my movement. My swing is level, but my bottom hand comes off the bat handle far too early.

I swing twenty times so I can tell myself this exercise wasn’t a complete waste of my time. With my feet planted in the surf, I turn my back on the ocean and look back toward the city. After all the storms, the shoreline is much closer to the mainland than it used to be, but it’s still a long way from here to the rest of Brooklyn. All I see from where I stand is a Ferris wheel ground to a halt, and the huge Stalinist concrete slabs of the Mermaid Houses stabbing the sky, behind an expanse of glittering, littered sand. For a moment I feel like the last man on earth.

I trudge back to where I left my stuff, sand cemented to my legs. As I towel my face off, an insistent buzz rattles from inside one of my shoes, where I left my Society-issued phone. My shoe burrows into the beach with each blast. I watch the sand scatter for five “rings” before I rescue the phone. The Society never hangs up. They never assume you are busy, because members should never be busy with anything but The Society.

When I pick up the phone, I hear the weird pops and buzzes and pixilated squawks that result from the call getting rerouted a million times to render it untraceable. Then a voice strobed and lowered an octave, the sound of a kidnapper. “Go to 86th and Bay Parkway. Wait for a message. Meet handler at O’Malley’s at three.”

Part of me is relieved that I’ve been given an assignment again, so soon after returning. But most of me would rather be in the cage than in the field.

“This is an off day,” I bark into the phone.

“No such thing.” More squeaks and pops, and the line goes dead.

I trudge back toward the stadium, hoping to deposit my bat in the locker room, but the players’ entrance is unattended and locked. It was open and manned when I left for the beach, which couldn’t have been more than a half hour ago. I have no time to ponder the sudden change, or knock on the door and wait for someone to show up and rescue me. I also shouldn’t bring a baseball bat on whatever mission I’m about to do. So I jog around to the first base side of the ballpark, near our dugout, thinking I can fling the bat over the fence. I grasp the thing just above the knob and launch it. The bat spins end over end wildly and falls short of landing on the field, rattling in the first row of seats in front of the dugout, coming to rest between wall-mounted ads for Budweiser and the Marines. I should have time to reclaim it before tonight’s game if the cleaning crew doesn’t show up on time, which is not likely since their last few checks have been late. I don’t care about the bat itself, since it’s the crummiest one I have, but if I lose it I’ll get charged the full retail price of a brand new one by the team. It’s league policy meant to deter low-salaried minor leaguers like me from making off with piles of game-used equipment and selling it to memorabilia prospectors. That market is a monopoly the league reserves for itself. My salary can’t spring for the price of a new wooden bat, especially not one that’s actually an old piece of junk.

The distance from the stadium to 86th Street is not walkable. In any other city, The Society would loan me a car. In New York, with parking meters and alternate-side rules and cameras at every intersection, cars aren’t the best way to fly under the radar. Routine traffic stops and roadblocks don’t help, either. Not that taking public transportation is much better. The subway stations are full of cameras, too, and National Guards in more cases than not. But as far as getting to a destination in a timely fashion goes, the subway is the slightly better of two bad options, so I walk over to the Stillwell Avenue station. It’s going to be a hot one today, and the first crowds are starting to arrive. Great churning clusters of kids run down the stairs from the platform, leaping and screaming with each step. No adults trail them. For these kids, summer will never end.

I ascend a D train platform, enter a car close to the stairs, and sit in a corner by the engineer’s booth. No window at my back, nothing behind me but steel and plastic. In the morning, before the scene grows too crowded, I should be able to spot a threat a mile away, but that’s no reason to make things hard on myself. I put on a pair of sunglasses to hide my eyes as I survey my surroundings. No stirring from the door leading to the next car. The man in the reflective orange MTA vest sweeping trash up from the F train platform across the way is what he appears to be, near as I can tell. The sunglasses aren’t necessary, since there’s no one else in the car. But if I don’t do these things when they’re not needed, the skills may fail me when I do need them.

The conductor makes a garbled announcement over the PA, the doors beep and close, and the train lurches out of the station. It scrapes by the shuttered amusements on Surf Avenue and past the aquarium, then turns left near the Mermaid Houses and begins its descent into the heart of Brooklyn. Closer to Coney sit squat little houses festooned with starfish and lighthouses, razor wire clinging to their summits, followed by chop shops, empty lumber yards, dusty plumbing supply warehouses. Then slender two-story houses with iron railings and tiny, elevated lawns. The train careens on to 86th Street, where all the roofs of all the buildings have been bombed by years of graffiti. One layer surpassed by another, then another, on and on throughout generations of delinquents, every new color adopting the faint sheen of the artwork of the past.

A large billboard grabs me at the 86thStreet curve. It features The Killer, star slugger for the big league team my minor league squad feeds into. He clutches a bat in one hand and a fistful of purple entertainment vouchers in the other. He’s not wearing the jersey of our parent team, but the kind of generic elastic-banded white uniform favored by corporate softball squads. Whoever shot the ad couldn’t be bothered to approximate our colors, opting for black and red instead of orange and blue. Licensing fees must have been too much for the city, so they steered clear of the slightest hint of infringement. In large letters: DON’T STRIKE OUT! USE ‘EM WHILE YOU CAN. Slightly smaller type reminds you that city entertainment vouchers do not carry over month-to-month, and if you don’t spend them all patronizing your local movie theater, restaurant, mall, and so on, they’re gone forever. Over The Killer’s huge bald head, a critic has responded with the unambiguous spray-painted counterpoint of FUCK U.

I’m the only person who gets off at the Bay Parkway station, where the undulating tin walls are dotted with snaking tags, plotting a path to the stairs that lead to street level. Most of them are indecipherable to my eyes, save a stencil job that repeats itself down the line at regular intervals, with variations. Each stencil traces the outline of a different, seemingly benign figure. Traffic cop. Doctor. Construction worker. Each is fringed by a warning running its perimeter, the letters stretched and spaced so they wrap around and meet again, head to tail: ENEMIES ABOUND.

No one else stands on the platform when I get off the train, except for some sad case pleading into a pay phone. You often see drunks and other sorry types pick up the receivers of these relics in a subway station, but they always turn away in disgust, realizing they’ve been had. This poor sap had the good fortune to find what must be the last working example in the entire transit system. That, or he only believes he’s talking to someone. His presence makes me suspicious, but another look in his direction dispels my concerns. The desperation on his face and his complete willingness to be exposed don’t correspond with someone who wishes to go unnoticed. “But I NEED it! But I NEED it!” he whines loudly into the phone as I slip past him.

I descend, passing through the swinging doors and turnstiles, into the chamber that barnacles to the underside of the elevated train station. Two guardsmen in full green camouflage stand to the left of the attendant’s booth. Their outfits must help them blend in with the thick jungle growth of southern Brooklyn. Both of them look bored almost to the point of tears until my presence startles them. I must be the first person through this station in hours. One of them yawns and absently pets the barrel of his rifle, which he holds against his chest. His caramel-colored face is dotted with fresh acne. He is younger than me. His freshness upsets me.

Along 86th Street, I peer in a few shop windows, stop at a fruit stand, then walk slowly back and around the corner to perform the same rites in a slightly different way. The weatherman says we’ll get into the 90s again today, but I’m pretty sure we’re there already. The sun radiates off the pavement, sucking energy from me with each step. A sick smell hangs in the air, the stench of things people dropped and left behind months ago. The stink is artificial and brutally organic all at once. It hits my nose and I do my best to not breathe in, but I can feel it there at foot of my nostrils, biding its time.

I pass an armored NYPD vehicle, parked and waiting for its next raid. Cops in bulletproof vests lean against it, trading filthy jokes. One of them leers at a girl in microscopic jean shorts, his eyes trained on her ass she bops down the block, following her long after he could possibly make out any discernible movement.

After ten minutes of wandering, my phone buzzes. Picture message, subject CONFIRM, accompanied by a mug shot of some guy who could extra in any mob movie. The picture’s caption is an address on Bay Parkway. I see it right across the street, Vinny’s Pizza. This is a Confirmation Job, the lamest work the Society has to offer.

All Society targets have to be confirmed by a third party. Most of the time, that confirmation is done by scrub minor leaguers such as me. It’s a shit detail if there ever was one, the Society’s equivalent of KP duty. What’s happened in this situation, I assume, is this: The Society has decided to apprehend someone. I have to go spot this person and verify that he is, in fact, the desired target. I’m given this photo on which to base my analysis. It’s bureaucratic bullshit, a step meant to prevent abuse but which ultimately serves no purpose but creating a data trail we really don’t want.

So now I have to walk into this pizzeria, spot a guy, and text back CONFIRMED. Once I do this, a mission can go ahead unimpeded. What is that mission? I don’t know. I’ll probably never know. They could have gotten any schmuck in the world to do this job, but they asked me to do it, on my day off. This is how far down the ladder I’ve fallen. Some other fuckup is still recovering from a vicious hangover or a desperate 3 a.m. pussy hunt and so it falls to me to take out his trash.

Vinny’s is an old-school pizza joint with curved orange seats leaning over faux wooden tables bolted to the floor. My parents used to take me to one just like this before my mother got too sick to eat pizza or much of anything else. I put my hand on the bar across the front door and see my reflection in the glass, broken up by handprints and other smudges. This feels far too familiar to me, in a bad way, a taunt from a schoolyard bully I swore I’d forget by now. I pause a moment before going in, swatting these memories from the front of my mind.

“Can I help you,” says the kid behind the counter, leaning across the linoleum. His pencil-thin teenage mustache bristles. There’s no question mark concluding his statement because he has no true desire to help me. For cover, I ask for a slice I won’t eat. Greasy food is no good for my conditioning. It’s also the kind of food that’s been giving me trouble lately. I eat something too spicy, too rich, too anything, and my stomach rebels.

While standing at the counter, I see the target seated in the back. Black leather jacket, slicked-back thinning hair. He taps his foot out of rhythm with the Van Halen song squeezing its way through the tinny speakers of a black boom box perched on top of a Coke bottle-shaped cooler. His head darts in all directions each time he hears the little bell that rings when the front door opens. The movement is drastic at first. Then he seems to remember how conspicuous it looks and slows down the dart midstream. This place is familiar to him, but that does nothing to alleviate his nervousness. He is a first-class neighborhood mook, always on the lookout for a threat or an opening to a new hustle.

I get all of this at a glance of his reflection in the glass partition at the front of the pizza counter. But I don’t look at the glass for long, either. I can’t stare at these kinds of people. Anyone in our world can sense when he’s being stared at, even when only his reflection is getting the attention.

The teen behind the counter slaps my slice down on a paper plate next to the cash register. I tell him I want the pizza to go. He slides the slice into a paper bag with a sloth-like torpor, then takes my money as if he’s done me an enormous favor.

I exit the pizza place and text back CONFIRMED. As soon as I hit “send,” I feel a tug at my sleeve. An itchy bum who’s been shuffling outside the pizza place wants my attention. Despite the weather, he wears a hooded sweatshirt, pullstrings frazzled, faded gray fabric scratching a jagged beard. He has the smell of a half-empty soda bottle left out in the sun.

“Spay chine, get summeat?” the bum says, which I take to mean Spare some change, get something to eat? Since I’m not going to eat my pizza anyway, I hand it over to him. But the bum isn’t grateful. It’s a rare vagrant who asks for money for food and actually wants to buy food.

“Muhfucka, I didn’t axe for no goddam pizza.” He takes it anyway, however, ripping open the bag and tearing into the slice with violence.

I didn’t notice this guy outside before, and he’s not the kind of person who should go unnoticed around here. The homeless are not common in this part of Brooklyn. There’s no shortage of hopeless drunks who fight lampposts and stumble home to the wrong apartments, but truly dedicated street people are rare. His pullstrings are frazzled but they’re perfectly even, aglets clinging to their extremities. What are the odds a guy who’s been living on the street would still have the pullstrings in his hoodie at all? There’s a good chance this bum is someone doing a good bum imitation. Maybe a tail from the Society trying to make sure I do my job right. Maybe someone trying to impede my work, for reasons I can’t know. Maybe something else that hasn’t yet occurred to me.

While I stand outside the pizza place wondering about the bum’s true nature, out walks The Mook. He’s stepped out for a smoke, unsheathing a packet of Camels from his inside jacket pocket. Our eyes meet. His face turns white. He sees something in me that makes him suspicious. Once he’s seen it, the look I give back makes him even more suspicious. He bolts and runs toward 86th Street.

This is bad. What’s even worse is that The Mook’s lizard brain survival instincts are contagious, because I run after him. I could call in this situation, or I could stay put. Instead, I choose to chase him, which is the dumbest possible option. And yet, this never feels like a choice at all. It simply happened, and it continues to happen in a place where thought can’t touch. My brain yells at my legs What the fuck are you doing?! My legs yell right back, Don’t look at us. You think we wanna run? Once I’ve started, I have no choice but to keep running until I catch this guy or my legs give out. I’m not sure which end is likelier. As I pick up speed, sand scrapes the spaces between my toes. I thought I’d cleaned all of it off before I left the beach, but I thought wrong.

The Mook sprints like a man who’s never had to move at a faster pace than a stroll. He pumps his legs higher and harder than he has to, his knees almost touching his chin with each stride. His arms whip back and forth like an android trying to row a boat. For all his awkwardness, he has two things I don’t: adrenaline and the fear of imminent death. So he doesn’t think twice before sprinting across all six lanes of 86th Street against traffic. In this part of Brooklyn, drivers are used to playing chicken with clueless and fearless pedestrians. A white SUV swerves to avoid him on the westbound half of the street, as does a squat delivery truck on the eastbound half, but the vehicles don’t even spare an obscene gesture in his direction. The Mook shields himself behind a train track support beam for a second, then continues his uncomfortable trot down Bay Parkway. The businesses of the main drag give way to little houses with postage stamp-sized lawns. Each house displays a cornucopia of seasonal decorations, the American flag, and banners proclaiming allegiance to various sports teams (not necessarily hung in that order). Virgin Mary on the halfshell stands parallel to the imposing logos of home security systems. Warnings abound, cautioning those with evil on their minds of the presence of pitbulls, signs indicating TRESPASSERS WILL BE KILLED AND EATEN. These directives are flanked by unproofread pledges to unnamed terrorists that YOUR DAYS ARE NUMBERRED and WE’RE GONA GETCHA.

By the time I reach 86th Street, the light has changed, and so I zip through the crosswalk untouched, save for a red pickup truck who wants to see how close he can get before crushing me under his wheels. I cross the street before the red hand has stopped blinking. I’ve already made up quite a bit of distance between The Mook and myself. I could run harder, but my legs would tire faster. The Mook fears for his life and won’t stop, so I have to pace myself. This is his turf. He probably knows some back alleys or other shortcuts where he can lose me. I need to think of some way of taking him down before he can do that. I don’t spot any garbage cans I could pick up and hurl at him, or anything else that could be used for that purpose. I don’t have anything on me I could throw at his feet, other than my cell phone. If I break that, I’d see a hit in my next paycheck.

As I ponder my next move, The Mook out-stupids me and does the dumbest thing he could do right now, short of stopping altogether. He looks back to see if I’m still following him. He does it slowly, craning his head inch by inch. This prevents him from seeing the spot in the sidewalk where one stone slab is elevated above the others. His right foot slams into the edge of the protruding stone and he stumbles for a few strides, feet slamming the pavement with harsh slaps, his arms flung out to the sides, walking tightrope. The Mook almost corrects his balance before his left thigh collides with the nozzle of a fire hydrant. He pivots and tries to keep running, but as soon as he puts weight on his left leg, he collapses to the concrete with an unhealthy thud, face first. I want to celebrate my victory, but this isn’t a true win. I’ve only caught up to this wreck because its tires shredded. I lean over and place my hands on The Mook’s back, as if it will make his capture official.

The Mook winces in pain. He puts his palms flat on the ground, but has no strength to hoist himself upright, his labored exhalations chopped up by a smoker’s wheeze. “What the FUCK was that FUCKIN’ thing DOING THERE?!” he screams. In his anger, he kicks back his left leg and connects his foot with the hydrant behind him, shooting more pain through his body. “FUCK!” He balls his right hand into a fist and punches the sidewalk, then lets out another pained yowl, having injured himself in a brand new place. I can’t imagine why The Society was so anxious to track down this guy. He seems the kind of person who would take care of himself in some Darwinian fashion, sooner or later.

A white windowless cargo van pulls up to the curb, coming to a halt with screeching tires. The sliding side door opens. Two men in SWAT team-type gear jump out, rattling around with bulletproof vests and assault rifles, faces obscured behind reflective visors. One grabs the The Mook’s arms, the other grabs his legs. They hustle him into the van, where his howls of pain are soon muffled by the hood they slide onto his head, pulling it tight at the neck with a laundry bag drawstring. Once The Mook is safely inside, one of the operatives grabs the sliding door to sling it closed, but not before shooting me a dirty look. I can’t see his eyes behind his visor, but I know a dirty look when I’m fixed with one. The door shuts, and the van squeals away down Bay Parkway.

I could use a long wait for the train to delay the inevitable, but of course, the D arrives right away for once. It’s packed with beachgoers, no more seats left. Kids twirl around the poles that run from floor to ceiling. Two girls in matching rainbow bikinis toss a beach ball back and forth across the aisle. Another girl in a bikini nuzzles up to her shirtless boyfriend while his eyes remain trained on his phone. I survey the scene to see if anyone sets off threat signals. Nothing. So I grab an overhead bar with both hands, bury my head between my arms, and curse myself.

 

Matthew Callan writes about the New York Mets for Amazin' Avenue and has written about many other things for The Awl, Baseball Prospectus, The Classical, and Vice. He is also the host of Replacement Players, a podcast where he forces guests to watch and discuss old games. Catch him on Twitter at @scratchbomb.

Lorene Delany-Ullman: Excerpt from Sweet Spot, a Memoir (Nonfiction)

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Automatic Out

Girls Track League Finals, spring 1975

Spike to shin equals a scar I still distrust when I shave my legs. I was a runner. On the second to the last lap of the one-mile race, I was disqualified because I wouldn’t allow the girl running behind me to pass. I stepped in front of her, blocked her more than twice, broke her stride. When she finally ran in front of me, one of the spikes of her shoe slashed my leg. It bled into my sock. I finished the race close to last; walked off the track before my parents or coach could talk to me. Three days before League Finals, I had had an abortion. I was seventeen.

*

At the clinic I recognized a girl in the waiting room—we had been on the same swim team; favored the same stroke. I think she was fifteen. I tried not to make eye contact; we didn’t speak to each other while we waited. She was with a friend, or maybe her mother. I waited alone with my boyfriend’s $100 in my purse to pay for it.


There was a paper gown, my feet in stirrups, and then I was asleep. Afterwards, in recovery, girls got sick into curve-shaped bowls, rested in cots lined up like an assembly line. I wanted to get dressed to go. I had to wait for Denis to pick me up.

*

I wouldn’t let the girl pass me. Her teammates called me names as I rounded the curve of the track. I didn’t know the rival school she attended. I don’t remember what she looked like.

*

Afterwards, when Denis drove me home, I didn’t say much—what was there to say about a child we wouldn’t raise? He dropped me off at my front door, drove back to Los Angeles and his college dorm. I told my mother I stayed home from school because of bad menstrual cramps. Maybe she never knew until now.



I Loved Him Most When He Stole Second Base

Denis could beat out a throw: his long lead off the bag, his cleats roughing up the infield dirt, the force of his slide feet first into second. How he’d beat out a tag. How he’d stand, and dust off his white pants like he was meant to be there. I was part of the crowd noise; I was part of it.

I confess—he stole my dorm mate’s stereo (I pretended not to know). At the local grocery store, he’d shove a thick sirloin steak and a frozen bag of corn into his Levi’s. I bought the frozen blueberry cheesecake for dessert. (In high school, I shoplifted a peasant blouse with three-quarter sleeves, wore it once; the blue and red colors bled in the wash.)

It takes commitment to steal a base, to nurse a strawberry—that red skin abrasion on his butt or thigh—the mark of a thief.



College Ball 

       March 1977

Six months before we married, I drove fifty miles to see Denis play intercollegiate ball in Riverside. I borrowed my dad’s new Ford Pinto, orange with black interior; it was the first car I’d driven with a stick shift. At Evans Park, I watched the Busch girl in her hot pants and white, low-cut t-shirt; she was stacked. She posed between Denis and his buddy Dave for the photo-op—two uniformed men and their Beer Girl as breaking news. Denis was a regular Casanova—he owned the full jock package--thick, dark hair, baby-blue eyes, the muscles, and mustache. I didn’t care if they won or lost the game; I wanted my man. After the game, I thought we’d be together. Denis thanked me for coming, told me to go home. Instead, I followed as he and Dave sped away from the stadium. I floored it to keep up. They tried to lose me on a dirt road, a kind of motocross labyrinth of dips and curves—the Pinto caught air—I lost one of dad’s beloved hub cabs. It bounced and spun astray as I raced into the sun’s glare, trying to leave that Busch girl in the dust-up.



Bird Cage 

Slang for the catcher’s face mask, a bird cage is a padded, metal grate. When there was a play at the plate or a runner stealing second or a foul ball, Denis would bail out of his cage. His quick eye looking upwards, he’d flip his mask into the dirt, his skullcap secure on his head. I’d wait for that delicious smack of ball in mitt. And then his throw. I depended on it.

*

I didn’t wear a bird cage veil made of Russian netting. Or face blusher of lace. For my bridal headpiece, my cousin Claudine sewed a wreath of peach-colored roses and baby’s breath, ivory tulle, and ribbons. The flower girl all grown up. Peace and love. I knew white was for virgin brides.

*

Afterwards, Denis would scrape off the plate with his foot as if to score it with his scent; then knock his mask against his knee to remove the dirt. With his mitt folded in half under his arm, he’d use one hand to replace the strap over the back of his head, the other to pull the cage over his face. His backed turned, maybe he’d quip a little something to the ump. Before he assumed the catcher’s crouch, he never looked at me sitting in the box seats behind him. I never saw him look for me.



New Flock of Cards

I’ve never been bird watching. During high school, Denis was two-timing, dated Sue, secretly loved me in the school parking lot after hours. My friend Jules told me this: she saw the lovey couple shopping at the local outdoor mall—the best part—a bird shit on Sue’s shirt, and Denis laughed. I invited Sue to our wedding; thanked her for the gift—a burnt orange crock-pot I used for years.

When Denis signed with the St. Louis Cardinals, I thought the mascot would be a bald-headed Friar Tuck, not a robust redbird. (Most birds are monogamous.) Drafted twelfth round, my newlywed husband went to Calgary three months after our daughter was born, received $2500 as a signing bonus. I don’t remember what we did with the money. It was a short-season, rookie ball—I visited once—long enough to see he was swinging a big bat. That was something to chirp about.






Lorene Delany-Ullman’s book of prose poems, Camouflage for the Neighborhood, was the winner of the 2011 Sentence Award, and published by Firewheel Editions (December 2012). In addition, she has most recently published creative nonfiction and poetry in AGNI, Cimarron Review, Zócalo Public Square, Naugatuck River Review, and Chaparral. Her poems have been included in anthologies such as Beyond Forgetting: Poetry and Prose about Alzheimer’s Disease (Kent State University Press, 2009) and Alternatives to Surrender (Plain View Press, 2007). She is currently collaborating with artist Jody Servon, on Saved, an ongoing photographic and poetic exploration of the human experience of life, death, and memory. As one of the founders of the Casa Romantica Reading Series in San Clemente, California, Delany-Ullman organized and hosted monthly poetry and fiction readings from 2004-2010. She teaches composition at the University of California, Irvine.





Trevor Pyle: Late Innings (Poetry)

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As soon as the ball becomes a white streak off the bat

the center fielder puts his hands on his hips,

digs his toes into the warning track

and refuses to look at the ball as it sails over his head.

I wonder what would happen

if the game was tied for hours, days, weeks.

Oh, for the first few days we'll pretend to care,

who wins and loses, booing when the visitors'

But after a few days of sleeping under the stars and watching kids

run zigzags across the outfield in the morning

their socks growing wet with dew

we'll sensibly give up.

In the afternoon we'll lunch on stale popcorn and grilled-hatched hot dogs,

gossiping at the condiments station about who has left, who's arrived

and whether you noticed Becky move sections,

even though her husband of eight years is still in section B

glumly keeping score in a pile of scorebooks growing fast at his feet,

the double switches and pitching changes marked with scrawled arrows.

The announcers will chime in every few hours

cheerfully announcing births, somberly noting deaths

and reminding us one lucky fan will win a Kia if a home run hits the cowboy

who watches from 445 feet away in straightaway center.

The government will try to get us to leave, I bet--

I picture came jeeps outside, puzzled National Guardsmen

sitting on the hood, swapping cigarettes

There will be news trucks there too, their TV arrays skying over the

wall past left field, over the Roto-Rooter ad.

Once, people will swear, they saw Matt Lauer peeking over the wall

during a double steal attempt in the 154 inning

and his haircut, the ladies will say, was perfect.






Trevor Pyle is a sports journalist who lives and works north of Seattle. He has published poetry in Aethlon and The Heron's Nest.

Samuel Vargo: Nobody's Pretty Boy (fiction)

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A jab, then another. I deflect a left hook with my right shoulder and shuffle back. The drab green closes in on me: ominous jaws like those of an alligator. Such ugly draperies and wall coverings around this nightclub basement!As foreboding as fungi! All of this swallows me. I fall back, unable to breath. Sweat is pouring out. I can’t see. Another pop. A quick jab, then an uppercut. I can’t hear the crowd. Every five seconds goes by like five hours after the eighth round.

When’s the bell?

Today I looked in the mirror at my scarred face. I’m ugly, I said to myself, damned ugly.I never want to be nobody’s pretty boy—no, no, not that—but I’m looking like a monster. My little niece is scared of me. Calls me the boogieman. Now that’s ugly. My old man wanted me to join the Marines. So what did I do after graduation? I joined a boxing gym and got a job delivering pizza. Now I’m a nickel-and-dime boxer fighting these fourth-rate venues. I’ll never be rich, no, not by a longshot; not even locally famous. At least some of the regulars I deliver pizza to know my name. Maybe I’ll still join the Marines.
           
Tiger Taylor takes a jab and counters with a hook. I move my head right, then left, then in a circles. Head movement’s not for defense, it’s for offense. My hands free, I hit him with two quick jabs and an uppercut. This heavyweight’s wily and experienced. So is he, but he’s petering out, sounding like a locomotive. He falls back, on the ropes. I shuffle quickly in and start jabbing a fusillade of jabs, then smash him with a right hook and a left uppercut. He falls back, caught by the ropes.

The bell rings.

Another five or ten seconds and it would’ve been a KO, at least a TKO.

“Where’s your energy?” my trainer, Rollin’ Joe Thigpen yells as I sit on my stool in the red corner. “What’s happening to you? You’ve gotta get your breathin’ down better, boy! In through your nose, out through your mouth. In through your nose, out through your mouth. Got it? Simple’s that. He’s taller and has reach. Don’t let him in. Don’t let—”

The bell rings.

I languidly take small shuffles. I try to conserve as much energy as I can. I see Rollin’ Joe yelling something, waving his arms around, but I can’t hear. Later in the round I’ll finish Tiger Taylor.He charges like angry bullock, but he’s out of control and clumsy. I smash him with a right hook and a left uppercut. Those green walls are so ugly and menacing! I can hear the crowd, sounding like demons. Oh, I look so damned ugly!Nothing but scar tissue and bruises covering old scabs! He’s moving around like a ruptured gorilla. The good thing about heavyweights is they slumber. Lighter-weight boxers jump around like schizophrenics on methamphetamine.

I pop Taylor with a combination of three quick jabs, rolling my head out of the way when he fires a strong right hook. My hair’s even thinning! I’m only 28 and I’m going bald! What in the hell’s the matter? The girls from work are here. That redhead I’m crazy about might have shown up, too. I don’t know.I hope so. The shouts from ringside sound like inimical crows feeding on fermented corn in a muddy field. These spectators are as nasty as those drapes and wall coverings. My car has over 100,000 miles on it. It’s a beater and so am I. It’s so damned hard making a buck these days. I’m doing this for extra cash? I could get killed by one of these monsters! Tiger Taylor’s gaining strength and energy. I’ve got to thwart this. I shuffle in, jab him with the old 1-2 and then get in a good uppercut. He falls against the ropes and I charge like a snapping police dog. I’m ready to finish him—

The bell rings.

“Why’d you wait so long to start fighting? You gotta end this in the tenth. It can’t go any longer. What’s set is set. I don’t know what’s happenin’ here, but it’s not `sposed to!” Rollin’ Joe yells, his dark purple lips and onyx face snarling at me as I try to relax on that stupid little stool. All I see is black and feldgrau.

The bell rings.

Why did I get a black manager and why’d I join a black gym? I’m Irish, for chrissakes! Tiger Taylor shuffles slowly around the ring, looking like a big wet dog that’s spent a week in the woods. He’s tired and dazed. Probably couldn’t fight a bag lady now. Ten seconds into the tenth and it feels like ten hours since the bell. Too much hair loss! Too many scars!Those poor girls at work have to see my abominable phiz? Tiger Taylor shuffles in, managing a scowl over his lips, his pearly whites clenched onto an orange mouthguard. Purple lips, glistening black skin, traces of red blood oozing in little rivulets down his face. A cut above his right eye. He’s ugly. No man his age should be that ugly. What’s he, 25 or 26? But I’m uglier, if there are degrees of ugliness.

Tiger Taylor takes his last bit of stamina and starts swinging erratically, like a farm boy slinging mud against a barn, hoping some of it sticks. I dodge most of this barrage of banal blows just by ducking and moving my head back and forth. With both hands free, I wait for an opening and with Tiger out of steam, all his lottery tickets scratched, he’s left wide open. I hit him with three jabs. Then a right hook and an uppercut.

He tumbles like a felled tree.

All I see is hideous dark green.

Nothing’s won.

 

Sam Vargo has written poetry and short stories for print and online literary magazines, university journals and a few commercial magazines. He worked most of his adult life as a newspaper reporter, and was fiction editor of Pig Iron Press, Youngstown, Ohio, for 12 years. A collection of his short stories, Electric Onion Head and the Rotating Cyclops of the Month, was published by Literary Road and had a web presence for five years. His poetry and fiction have appeared in Connecticut Review, Late Knocking, Ohio Teachers Write, Word Riot, and other presses and literary journals.

James Chesbro: Overtime (Nonfiction)

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Sunday, November 10, 1985
Atlanta Falcons vs. Philadelphia Eagles


Dad leans over me on my bed. I don’t understand why he refuses to let me sleep in my game outfit. He grins as he pries the gray corduroys down my waist. The Kelly green Eagles jersey flails over my head and around my arms like a hockey player who’s losing a fight. After he flings Ron Jaworksi’s number-seven to the ground his wiry black eyebrows furrow and his mouth frowns. He puts his hands on his hips, and sighs as he leaves. You may recognize Jaworski and his nickname Jaws, as one of ESPN’s football analysts. Maybe Mom puts my pajamas on after. Maybe I cry. I’ll be nine in two days. By refusing to let me wear my Eagles gear to bed, Dad violates our code, our unspoken truce about all things Eagles.
     
I watch Jaws on TV as a boy, barking out signals from behind his narrow gray two-bar facemask. The Eagles suffer from a mighty hangover after their loss in New Orleans during Super Bowl XV. In 1981, they win ten games, but lose in the first round of the playoffs. The following season, the NFL strike wipes out eight weeks of football, and after a dismal year, the celebrated head coach Dick Vermeil resigns. In the following three seasons, when I’m ages seven, eight, and nine, the team’s combined record is 18-29-1.
     
Apparently, these dire times are cause for calling upon Jesus, Mary, and Joseph for help. Or, actually, it sounds more like it is their fault, the way Dad pounds his fist on the arm of the chair, and stalks by me, shaking the floorboards where I sit. When he calls upon the holy family, it sounds like “JeeeeeeSUS MaryandJoseph,” a long, overdramatic exhalation for the first syllable, and a breath in for the second. The Virgin Mary and the adopted father of the savior for the Christian religion are expelled in one collapsed grumble.
     
Those “Damn Birds” lose so often, I learn that part of the rules of the house mean toning down the chitchat during dinner after a defeat. If Dad raises an eyebrow at me, it is like a yellow flag on the field, a personal misconduct on my part. The eyebrow is worse than hearing him tell me to go sit in “the chair,” my parents’ 80s talk for taking a timeout. Mom and my sister can speak, and they have to carry the conversation. But if I blabber on it’s a sign of blasphemy. Chirping at the table is disloyal? to “the damn Birds” a little—but it’s more about a bond we are forming over the Eagles. It is clear to me that Jaws is the leader. He gives the commands on the field and holds the ball every play. I learn the rules of the game on the field and in the house. I learn to follow my dad’s signals. 
  
 I am a few months away from making my First Communion. Each Sunday our family goes to nine o’clock Mass. After, my parents go out to breakfast with Grandma and Pop Pop, while my sister and I spend an hour in Confraternity Catholic Doctrine class. Catholic kids who attend public school need to go to what is commonly referred to as CCD. I’m sure we talk about the Eucharist that fall. And at some point my conclusions cross disciplines.
     
During the prayers of the faithful, at Mass, when the priest says, “And now for any intentions that lie in the silence of your hearts,” I bow my head and pray for Jaws, and number eighty-two Mike Quick, possibly the most aptly named wide receiver in the history of the NFL.
     
The Eagles have the power to close any gaps between my father and me, like the tight-spiraled missiles Jaws throws to Quick over the middle of the field. I don’t ever really question why it matters so much, but I accept Dad’s prayerful bursts to the holy family as Eucharist. The team feeds our relationship. It is a subject of immediate and uncontested agreement between us. Touchdowns mean yelling, a shared grin, possibly a high five. An Eagles interception or a shanked field-goal attempt mean calling upon Jesus Christ, or simply groaning incomprehensibly to each other as some constipated people tend to do privately. 
   
I’m still trying to figure out why my father leaves before that game is over. It’s just getting good, for the team and for us. In the first quarter, the team mascot, Birdbrain, approaches our section. I run down to hand my drawing of an Eagles helmet made with green, gray, and white pastel markers on yellow construction paper. I ask him to give it to Mike Quick. Birdbrain stops his frantic gestures for a moment. He points his beak in my dad’s direction, then rubs my head with his wing, and moves along the metal railing waving white wings, knocking over empty clear plastic cups with oversized yellow bird feet.
     
The game is somewhat famous because of how it ends. The Eagles blow a seventeen-to-nothing lead. The Atlanta Falcons tie the game. They are twenty-five yards from the goal line. Nine seconds are left in the fourth quarter. They miss the field goal. In overtime, the red helmets receive the ball and cannot score. They punt it back to the home team. The punt soars in the air for sixty-two yards and dots the Eagles’ five-yard line, bouncing out of bounds inside the one. The field position hushes the remaining sixty-three thousand fans who attend the game. We sit in section 372, row eleven. Maybe he make’s us leave because of all the sloppy drunks, spilling beer and curses as well as the thought of being in a post-game traffic jam with them and his only son. Or maybe it’s that the game is in the opposite end zone. Without any warning, Dad pats both knees and says, “Let’s go.” 
     
I descend concrete steps, and traverse through the concourse. Thousands upon thousands shift through the opening of each section entrance as we hustle past them. Each opening is a glimmer of where we were. The game is not over. And he decides to leave? It is overtime. Dad alters the lead shoulder under his blue jacket as he moves through the crowd. The back of his gray wool cap and the red flannel lining of his hood shift to the right, then the left. He is my lead blocker. The openings offer light, yellow security jackets, and traces of blue sky. The entrances are giant speakers amplifying a chant that is just catching on, or dying out. The public address announcer booms, and the crowd’s thunderous murmur roars on.
     
In the car, Dad turns on the radio. Over the concrete and the steel and up into the blue, all those voices erupt. Merrill Reese’s voice crackles through the static side door speakers. “He’s gonna go! 25-30, 35-40—midfield—45-40, 35-30. Mike Quick. Touchdown. The Eagles win.” Jaws and Quick connect for a record breaking ninety-nine-yard touchdown catch and run, the winning score of the team’s first overtime victory in franchise history. Dad’s car wheels flatten a beer can. In my sideview mirror, I watch the aluminum slide and scrape the parking lot blacktop in the direction of the stadium—the concrete and the steel shrinking, as we drive away.


Sunday, September 17, 2000
Philadelphia Eagles vs. Green Bay Packers


The 3-6 Eagles’ loss is not the quarterback matchup it’s hyped to be, between gun-slinging Brett Favre and the scrambling second year man, Donovan McNabb. It’s a forgettable kicking contest between Ryan Longwell and David Akers, except that Dad visits me in Connecticut, and we watch it together. I stay in Connecticut after college, and sign up for a satellite service and the NFL package, which allows me to see every game, every Sunday. 
     
Dad “cooks” before we leave for church. He cuts open a package of sauerkraut. The pickled cabbage and yellow juices squirt out of the bag and thud into the metal pot Dad has brought with him. He places three pieces of pork on a foundation of sauerkraut. Kielbasa, hot dogs, another bag of kraut and a bottle of beer fill the rest of the pot. Dad places the lid on top, turns the electric burner on low, rubs the palms of his hands together, and says, “Should be ready by kickoff.”
     
The Eagles game is almost over; the pot on the stove is half empty. I shoot the TV with the remote to switch channels from one upcoming four o’clock game to the next. Dad sleeps in the Laz-E-Boy. I sit a few feet away on the futon. The backs of his hands rest against his khaki-covered thighs. The fingers turn in toward the palms. The folds of his white-and-brown windowpane button-down shirt expand with his breath. Black glasses rest in his shirt pocket. Afternoon whiskers poke through his neck, lowered chin, and cheeks. His open mouth is pink. The wrinkles across his forehead cannot relax, even in sleep. Slow-motion replays and commercials shift colored lights between thin wisps of silver hairs on his shiny scalp.
     
I want him to wake up, raise his arms out toward the green players who flash on the screen with wings on their helmets. He should be hooting and hollering first names, in sentences punctuated by the pop of a single clap. I want his voice to bounce off my apartment walls, to grumble with me in disgust, to speak to me before he leaves.


Sunday, January 18, 2008
Philadelphia Eagles vs. Phoenix Cardinals

     
When the crisp air of autumn returns, and maple leaves crunch underfoot, watching football can be as holy for me as praying in church. I manage to bring my Sunday bachelor practice and the NFL satellite package into family life. We lay on top of green pillows, the floor, the couch, and each other. We take turns holding James, who’s almost four months old. He wears the same Kelly green sweatshirt with gray snaps that was once mine. The Eagles’ patch on the chest is separating from the cotton. The gray strings from the hood have frayed. I guess in the midseventies, when the sweatshirt was made, they actually put strings in baby clothing.
     
Lynne ladles her chili into bread bowls before the one o’clock games, by the four o’clock kickoff, she’ll slide a tray of tortilla chips topped with her chili, chopped raw onions, and shredded cheddar cheese out of the top metal rack of the oven. James will nap in his crib, while Lynne sleeps on the couch. It’s our day of rest.
     
Sundays become as dead as my father when the Philadelphia Eagles season ends. The whistles, cheers, replays, and familiar commercials we may have grown to like—it all recedes into a winter snowstorm and hibernates for eight months.
     
I throw the remote across the room that January night. It bounces off the couch. Batteries and plastic pieces clatter across the carpet as midnight green jerseys head for the locker-room and the off season. The wings arched in mid flap on the players’ helmets walk past white and Cardinal red jerseys celebrating their National Football Conference Championship victory and a trip to Tampa, Florida, to face the Pittsburgh Steelers in Super Bowl XLIII. A haze of red and white confetti litters the TV screen.
     
Without the relevance, the immediacy of the game, or the promise of the next game, the paraphernalia surrounding me seems lifeless. The Kelly green and the midnight green constitute the colors of my dual self; the son in me who longs for his dad and the young man, who in 1999 (when the uniform changed to midnight green) prepares to graduate college and find a job. Grow up. Midnight green fades through red and white confetti like the faces of people walking outside when the flakes fall and winter gusts blow white everywhere. The team’s fourth NFC Championship game loss in seven years sends me into a fury, an illogical frenzy my wife of two and a half years hasn’t seen yet because I’ve been too embarrassed to unleash myself fully over those Damn Birds. 
     
I have yet to consider ridding myself of this ridiculous obsession, but I do want to tear down the posters, autographed pictures, football cards, the three helmets on the shelf, and the deflated football, cracked and autographed by the entire 1988 team. McNabb and the Damn Birds have brought me too close, too many times. The jus from the au jus roast-beef sandwiches steaming in clouds above the crock-pot nauseates me. My barley-and-hops-soaked head throbs.  
     
What do I expect from a Super Bowl victory? A championship team cannot grant me the transfiguration of my father. It wouldn’t deliver him from the subconscious to a seat on the couch for an introduction to his daughter-in-law and his grandson. It wouldn’t give us the chance to talk again, or exchange a grin. Football cannot resurrect a father. 
     
Most of the players that stare back at me through dusty glass frames are retired. I call out their names next to Dad, as a kid. Some of them aren’t even alive anymore. And when that season ended, when every season ends, the room haunts me until the sting of the playoff loss wears off. The Eagles’ wall clock ticks above the TV. The once-white pennants spanning three decades seem to yellow before my eyes. The 1960 NFL Championship team poster did not belong to me. They have never been my team. They’re stories of a famed past, names from another century: Norm Van Brocklin, Tommy McDonald, and Chuck Bednarik?the players who beat Vince Lombardi’s Green Bay Packers at Franklin Field, they are ghosts of Sunday’s past haunting the present.
     
And why do I hang my childhood poster of football helmets? The NFL consisted of twenty-eight teams then. The images occupied my boyhood mind at night. In the weeks leading up to Christmas, I left the Advent candles on in my bedroom. They were single plastic candles, with a bulb for a flame. The lights illuminated the helmets, my parents were in the next room and I was free to wonder: Can I name the state where each team is located? Is it the capital city? If not, what is? Can I name who is in first place in each division? Can I connect the Eagles helmet to the one belonging to their opponent this week in horizontal, vertical, or diagonal lines? Darn. What about next week? Wait. Who are we playing next Sunday? Maybe I can guess?
     
I shouldn’t expect old faces and variations of green to reconnect me to my dead father. Perhaps I’ve surrounded myself with autographed football cards of Ron Jaworski, Harold Carmichael, Wilbert Montgomery, and Mike Quick, those stars of the early 80s, to hear their names spoken in my father’s voice. That his voice could once again holler at the TV with mine when the game is on and the collective voices of thousands hums through the TV speakers. My grief is not the loss on the field, but the loss of the man, whose absence make off-season Sundays as empty as Veterans Stadium moments before it imploded. 
     
I spread the Eagles blanket out on the floor and put all three helmets in the middle: the midnight green helmet with white wings, the Kelly green one with gray wings, and the mini white helmet with green wings. I wear my father’s gray t-shirt, which he bought at Lehigh University during training camp in 2000. McNabb was a rookie then. I reached out to shake his hand in the autograph tent that morning and shot him an awkward grin when his large hand enveloped mine and his fingers wrapped around my wrist and part of my forearm.
     
I form an X with both arms, grab the bottom and fling the worn cotton of the T-shirt onto the helmets. James sits on the floor and watches me. I unsnap his sweatshirt and pull it off. I hold the blanket together at the corners and head upstairs. I ransack my drawers, and continue to fill the blanket with Eagles apparel.
     
In the attic, I shove it all in the bin of summer clothes. I hammer the plastic lid with my fist, and ask myself “Why should this loss drive me to stand, shirtless, panting alone in the dusty cold attic on a dark winter’s night?” When Dad was alive, as I grew older, I vowed to keep football in perspective, to recover from a loss and engage others at the dinner table. And yet, this is how he would have reacted—stunned into silent anger. Dad shakes his head in my memory, and I shake mine back at him. Get a grip. Dad, I think to myself. But here I am in the attic.
     

Sunday, November 1, 2009
New York Giants vs. Philadelphia Eagles


I know football games are an excuse to melt cheese on tortilla chips, drink a beer in the afternoon, and hang out. At thirteen months old, I teach James to lift his arms up toward the brown wood panels of the ceiling and say, “Touch, touch, touch,” whenever the Eagles cross the goal line. And I know that I’m seducing him by buying him gear and wrapping him up in excessive affection when he raises both arms. I sell it to Lynne as our day of rest. I turn the volume down late in the afternoon while she naps on the couch.

The leaves from the limbs of my neighbor’s birch tree blanket the space in an autumn quilt. The Eagles on the walls in my den hover through memory, awakening my younger self. The team is off to a promising four-win and two-loss start. McNabb has passed the ball well, and speedy, young, skill players LeSean McCoy, DeSean Jackson, and Jeremy Maclin dash across the screen for big plays. But even casual fans know McNabb doesn’t have many good years left in his career. And soon, someone my father and I never watched together will replace him as the next franchise quarterback.

My father eludes me in the commotion of every day. I walk on the 300-level concourse of a stadium that no longer exists. I thought that as I grew older, the fanaticism might wear off, dwindle at least into a controlled following, with a more grounded emotional response to the outcomes of Eagles games. But what has remained, if not intensified, is a feeling: an old hope rises up that the winged helmets can once again close the gap between us. Under the wood-panel ceiling, and between the sage green walls, while I recline in my chair in the reverie of a lazy Sunday, catching my father seems possible, if only he would turn around.















James M. Chesbro's essays appear in The Huffington Post and The Good Men Project.His essay "Night Running,"which appeared in CT Review, was selected as a notable essay for The Best American Essays series, 2012. He is the co-editor of  You: An Anthology of Essays Devoted to the Second Person (Welcome Table Press, 2013). Read more of his work atjamesmchesbro.com. Follow him on Twitter.



Lynn Bey: Threading the Needle (fiction)

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They’d never won it, the Interschool Soccer Tournament, Under 14s. And now Headers—Brendan Hedgers—had gone penga from his ball being stolen.

“We’re the hosts this year,” Max was saying so his mother wouldn’t ask what three things had he learned that day. “This Saturday is try-outs, but if Headers keeps acting mental, he won’t make the team. Then there’s no way we’ll win the tournament.”

“‘We’—that’s new.”

“How’s he supposed to get good again in four days?”

At the dip in Fairview she shifted the Citroen into second. Changing to low gear made it screech, but a hundred times worse was them chugging up the long hill to the ultra-larney flat they were house-sitting, their car without warning suddenly farting.

“Makes no sense, you not participating. You played on three teams at St. Alban.”

Max turned to look out his window like something was there. Really he was rolling his eyes at how she called it St. Alban when it was St. Alban Junior School. They were passing that stick-insect garden-boy again. He was in his same shorts, slashing at the long grass with a pirate-machete-sword-thing that was bopa-ed with blue twine to the end of a rake handle.

Actually,” his mom said, “you’re buying some cleats and trying out, end of story. Why is everything with you an international incident?”

“The others’re better than me. I watch them practice so I know.”

The fart was double-barreled. Max would’ve got out and walked except then the cars behind them would know it was their car for sure.

“You can either take yourself to the Thrift Shop tomorrow or we’ll go together. Look, sports teaches you to stick to something. Mr. Collins could’ve retired but he knows you wouldn’t have a coach at all then. That says a lot—commitment for one thing.”

Max almost forgot to turn away before rolling his eyes. “Dad hated school sports. He reckons golf’s what I should play.”

Max felt her get ready to say what a big help Dad was from a distance but the Citroen jerked suddenly so she had to concentrate.

“Being on a team is important,” she said, parking in their garage and ignoring him not listening. “You learn toughness, how not to crack under pressure.”

These days they ate supper early. Then they cleared the table and sat back down to homework. Hers was Executive Shorthand, and though she moaned about how much the course cost and that she had to take off work two afternoons a week, plus do three hours of practicals every Saturday morning, she nailed her tests. With a certificate she could stop being a regular secretary. Then they could move into their own flat near where they used to live, plus sell their rubbish car and get an Alpha Romeo Spider or a Corsair.

They were getting out their books when the phone rang. She said he could answer but mustn’t be long since it was a school night.

The phone had its own fancy glass table and backless cushion seat in the gold-and-maroon entranceway. When he was by himself, Max made baboon noises in here because the echoes were real-sounding.

“Dad—how come it’s you?”

“Can’t I phone you except on Sundays? I was thinking about you, Maxo, that’s all. But if your mom’s there, I’d like a word.”

Max said the usual, that he’d take a message. The message was that she should watch the news later; a C-47 had been shot down near the border and the names of those killed were being released.

“Your news gives out names before mine does. I might know some of the guys who were killed. I still care what’s happening there, you know, so don’t think I don’t. Anyhow, if your mom doesn’t phone me tonight I’ll stop worrying.”

Back at the table, his mom had left a note for him on her greenish shorthand paper. “Cleats tomorrow!!” it said. Two ten-dollar notes were under it.

From the cupboard in the kitchen, Max pulled out Miss Piggy and uncorked her snout. Pins and needles were pricking his arms and stinging his fingers but he managed to snag what he wanted, two more tens and some twenty-cent coins.

He was memorizing French vocab when he heard the water being let out from her bath upstairs. If she said she didn’t believe him that it had been a wrong number, to stop her bossing him he’d say okay fine, it was Dad, also what sounded like a party in the background, people laughing round a pool.

At breakfast his mom said he could ride his bike if he promised not to go hands-free down Fairview. The older boys who did that were cocky and also inconsiderate, scaring the living daylights out of the poor drivers. At lunchtime, instead of eating his sandwiches in the quad with everyone else till half-one when usually he went to Lower Field to help Mr. Collins, Max ran to the bike shed. Pedaling fast, he pretended hyenas were after him and pedaled faster. The footpaths crisscrossing the vleithat were shortcuts to the Avonlea shops were so full of rocks his emptied rucksack kept launching itself into the back of his head.

The ball, a Mitre size five, snap to what Headers had, cost $45.50. The man inside Champions said never mind the $5.50, he’d been a player, a midfielder, before he stuffed up his knee.

Back at school, Mr. Collins said policy forbade parents from making a private donation. The ball was a beaut, but rules were rules.

“But it’s me that’s giving it.” Max’s arms started prickling. To ignore it, he pictured the ants that used to march down the kitchen walls in their old house whenever the cook let something burn. “My dad sent me money already, birthday and Christmas combined. He’s living Down South now, in Jo’burg. He reckons it’s time to face facts—that we’re going down the drain. That Rhodesia is, I mean.”

Mr. Collins took the ball. “One fact for sure is every time someone gaps it from here, those who’re staying put have another week of call-up.” He bounced the ball off his shiny forehead and into his hands. “As long as you’re sure it’s from you, hey.”

At Saturday’s try-outs, Headers was back to being brilliant. In every drill—penalty kicks, throw-ins, headers, slow passes—he was on fire, and no matter how tight Mr. Collins had Max set the cones, Headers ran them like thread through a needle. Max could’ve carried on watching and helping except the Citroen’s screech was suddenly behind him, in the parking lot.

He jogged to where the others were waiting for Mr. Collins to shout “Next!” He windmilled his arms, making the prickling feel like tiny spits of rain. Even with torn newspaper in the toes of the five-dollar cleats he’d said cost twenty, the shoes kept slipping down his heels. But it was supposed to look obvious, him making an effort. Then, when he wasn’t even a substitute, he’d say now could she stop making it an international incident, him not wanting to be on a team.

 

Lynn Bey has had short stories and flash fiction published in The Literarian (nominated for a Pushcart award), The Brooklyner, Birmingham Arts Journal, Two Hawks Quarterly, Marco Polo Arts, Prime Number Magazine, and several other magazines.

Dora Robinson: The Last Match (Poetry)

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http://www.stymiemag.com/2013/11/dora-robinson-last-match-poetry.html







Boxing is more art than craft.
The sweet science is about movement,
feet and hands choreographed.
A combatant's ballet contained by the ring.

In the dressing room, the fighter wraps his fists,
slips on his gloves, his high top shoes-
soles as worn out as a shopworn fighter.

His cut man hides a packet of fresh blades
and a jar of Vaseline in his pocket.
Next the corner stool is a bucket
with a sponge soaking in water.

He opts to wear his training robe.
Dry sweat stains and a rip down the back
exposes his back side. No need for the
fancy, he says. The sweet science don't care.

Thirteen times he answers the bell,
adapts his choreography, slips punches,
scores points but fails to hurt his opponent.

He comes out for round fourteen.
The sweet science remains on its
stool, leaves the boxer without art or craft.

His opponent pins him against the ropes.
A flurry of blows, like a roofers nail gun
attacks his midsection, snaps his head back
and sends him to the canvas.
Body motionless. Eyes unresponsive.
The sweet science still and quiet. 






Dora Robinson is a poet and a historical fiction writer. Her poetry is featured in the 2014 Texas Poetry Calendar. Her poem, Three Coyotes, co-won the Austin Poetry Society's Poetry on Wheels Contest and is currently displayed on Austin buses for their riders' enjoyment. She lives in Austin, Texas, with her partner Beverly Williams-Hawkins and is an active member of the Austin Poetry Society.

Ross McMeekin: The Boy with the Unprotected Arm (fiction)

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Pencils behind ears, stat books in hand, the coaching staff crunched the numbers. Above, in the stands, parents crunched, too. In the announcer’s booth, a couple of old, sturdy-jawed WASPs crunched live for the eyes and ears of the entire world. Everyone was hard at work, trying to find a way to prevent the boy with the unprotected arm from pitching the end of the final game of the Little League World Series.

From his spot on the bench, deep in the sunken dugout, Yaz, the boy with the unprotected arm, crunched the numbers as well, and came to the same conclusion as everyone else. It was the bottom of the 14thinning, still a tie ballgame, and all of the rest of the arms on the teamby Code 714F of the Little League Baseball Association’s rule booknow stood under protection, sealed from the pitching mound, so as not to damage them prematurely. Their innings were spent; if any one of them hurled another pitch, the game would be forfeit.

He felt a pat on his back. It was Johnny, the catcher, whose face didn’t hide his worry. Yaz looked past him down the bench and saw the rest of his teammates. None of them looked confident, either.

You see, dear reader, Yaz wasn’t a pitcher. He wasn’t much of a player, either. He was the head coach’s son, used to non-competitive bench activities like chewing sunflower seeds, chatting nonsense to the opposing team’s pitcher, and making up clever nicknames for everyone’s mom.

Johnny pointed out of the dugout and Yaz saw, beyond the field, hovering over the center field wall, the jumbo screen, projecting something he’d never seen before, something he’d only ever imagined in his dreams. It stunned him; the thousands of LED lights were reproducing hisown stumpy form. Those were his cheeks, shiny red and puffed squirrel-like with seeds. That was his rally cap turned inside out on top of his head.

It was then that Yaz became not just sure, but suresure. He would pitch. Yaz was no dummy.

Nor, dear reader, was he under the impression that his place on the team was anything other than pure nepotism, though he wouldn’t have put it in those terms. Yaz didn’t like the fact that he was only on the team because his dad was the coach, but he’d come to terms with it, as his therapist often said. Sure, at times his comparative lack of skill filled his heart with a heavy blue sap. After all, his dad had played in the Major Leagues, while the only trophies on the boy’s shelf were for his work with the Young Thespians, which wasn’t the same, at least in his household.

And his parents named him after Red Sox great Carl Yastrzemski, for crying out loud. No pressure.

So, sometimes in the early morning and late at night, when his mind was soft and warm and without armor, the obvious questions searched Yaz: why did he have to be the proverbial apple that fell from the branches like a hanging curveball, why did his Granny Smith have to smack so hard off his father’s knobby wooden roots that it rolled all the way to a different orchard? Why couldn’t he have been born more like his father?

It was frustrating to Yaz. At times humiliating. But over the years, he’d survived, and even flourished, because the tree his apple came to rest beneath fruited trickster charm by the bushelful. The boy with the unprotected arm was king of the dugout dirty joke, prince of the postgame card trick, master of the secret shaving cream puff on the lid of the oblivious power hitter’s cap.

And his teammates loved him for it. In the dugout, he ruled.

But, dear reader, people with his skill set never got serious screen time on the ballpark Jumbotron during the Little League World Series. And for the last fifteen secondshe’d been counting each tickhis mug had filled that jumbo screen like some titan of sport. His! It was a trip. He liked how he looked up there in the lights. It felt like something he could get used to. He almost forgot he had to pitch.

But then the screen blinked, and began showing a player from the opposing team strutting out onto the field, a player whose apple had planted snug within the mighty grove from which it fell. Sadaharu Oh III. Grandson of Japan’s all-time home run leader.

From the dugout, Yaz watched as the Hamamatsu Minami Tigers’ cleanup hitter prowled around inside the on-deck circle. The perfect miniature of his legendary patriarch took hungry swings with an orange-and-black Easton Youth Power Brigade S1-12. He was hungry for fat pitches. Yaz’s specialty.

“Don’t look at him,” interrupted Yaz’s father. His muscular form blocked the screen from his son’s view. “You’ve got this,” he said. “Strike that kid out and send them all back to Japan.”

Yaz nodded and tried to find some confidence in his father’s encouragement. But there was precious little. He smelled the mint chewing tobacco on his father’s breath and wished it didn’t gross him out.

“Son,” he continued, “you might not believe it, but I’ve known it’s in there, just waiting to emerge. Be a hero today.”

A hero. Today. Right now. Unlikely.

But he had no choice. So he squinted his eyes, pressed tight his protective cup, and stood up in the way he felt a champion would. And for a moment, he willed a part of him to believe his father’s words. Maybe this opportunity had arisen in order that he could finally show his stuff. Maybe he could be a hero. He doubted he could ever really sustain any level of success at baseball, but maybe he could get lucky. Maybe something magical would happen.
But the little confidence he’d mustered was short-lived. As Yaz strutted out on to the field, chest artificially puffed, heart pounding, and crossed over the chalk lines and onto the diamond, the whole situation once again began to feel ridiculous. The myth his father had just spewed: pure bull. That he was going to triumph. That somehow, despite all his previous errors, all those seasons filled with snafus, his lifelong litany of hardball blunders, this moment would be different.

Be a hero today, he thought.Yeah, right. Hah.I’m gonna get this Sadaharu Oh guy out. Sure thing.

Yaz resumed walking to the mound. What sucked the most was that he realized how important this moment was to his father. Yaz feared he would not be able to laugh this failure off, as he had so many other of his son’s attempts at sport. Because, for his father, arriving shortly was a moment more important than any other: the glory moment. Yaz was no dummy. He knew his father still hoped he’d be a boy for whom those moments existed. He knew his father still hoped his son would be like him.

“Just feel it,” he heard his father yell from the bench.

The smell of popcorn butter blew in from the stands. Yaz took a deep breath and climbed the mound. His fingers had become damp and sweaty and sticky on the inside of his glove. Feel it, his father had said. He’d been saying that to Yaz for what seemed like his entire life. Yaz blinked, shook his head, and took another deep breath. Feel what? Some sort of mystical strand of DNA hiding in his cells, some lost key that could unlock the buff and quick and fast that had eluded him all this time, if only he could feel it? Sure. Right.

Yaz felt the eyes of everyone in the stands watching his every move, and wished he had pockets to stuff his hands into. He looked down at his cleats and pants and saw how dreadfully clean they were. He knew it: he was not a pitcher, hardly a player, and right then and there the small, long-suffering part of his heart still holding out with the hope that he might someday be like his father coughed once and croaked.

But, dear reader, Yaz didn’t give up. He found the will to climb the small dusty mound and stand up straight at the top. He kicked dust off the white rubber. He closed his eyes and thought might as well get this over with.

But then, when he opened his eyes and looked up, something had changed. The bright lights now seemed not overwhelming, but warm. The eyeballs all on him didn’t feel like threats; they seemed to beam goodness. And how had he missed the sheer pomp of it all, what with the signs and banners and cameras and, of course, the Jumbotron?

His ears popped and he heard voices, hollering encouragement. Just a handful, but they cheered for him. He’d never gotten the opportunity to perform for a crowd even a tenth this size with the Young Thespians. And yet here he was. Maybe not the stage he liked, but a stage nonetheless. Maybe not under the circumstances he wanted, but still. This was a genuine moment.

He punched his glove with his fist and a swell of applause burst from the crowd. He nodded again and received the same response. Then he thought to himself, why not, and he lifted both his hands into the air, as if to say Behold! You have asked for the boy with the unprotected arm, and here he is! Enjoy!

And he began turning. And he turned and turned, arms in the air, facing all around him the crowd, which with his spinning began to swell and then roar. The blink and shutter of thousands of cameras started to flicker with Morse code messages of love.

As he spun, he caught sight of his father by the dugout, waving his hands manically and yelling no, no. He also glimpsed Sadaharu Oh III in the batter’s box, shaking his head in disgust. They were disappointed. They were growing angry. But Yaz didn’t care, not nowmaybe he would laterbut not now. Forget them, he thought. This is my moment.Not the next moment. They can have that one. And who cares if the entire world only treasures the next moment. This onethe moment before the momentis all mine. And Yaz kept spinning. And after he stopped, he leapt from the mound and led the crowd in a round of the wave. They loved it. They’d never seen anything like it.

Dear reader, the boy with the unprotected arm, Yaz, milked it. Because he was a smart boy, and he knew eventually the umpire would come out and stop him, and he’d have to toe the rubber, wind up, thrust forward, and let that white globe spin end over end toward the plate, where he knew it would seek young Sadaharu Oh III’s bat like a hot lover. Because in the end, pitches like his were meant for folks like the elder Sadaharu Oh to crush; pitches like his were meant to be swatted deep into the upper deck by people like his father; pitches like his were meant to help boys like Sadaharu Oh III triumph in their moments, those boys who had to miss all the fun dugout tricks due to all their pesky hitting and fielding responsibilities, those boys who could never understand the play of play ball, those serious boys who were still years from understanding what it’s like to have no need for protection.

 

RossMcMeekin’s fiction appears or is forthcoming in publications such as Shenandoah, Passages North, Doctor T.J. Eckleburg Review,PANK, andTin House (blog). He received a MFA from Vermont College of Fine Arts, edits the literary journal Spartan, and blogs at rossmcmeekin.com. He lives in Seattle with his wife and daughter.

Eric Otto: Puzzling Would be Truer (Poetry)

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http://www.stymiemag.com/2013/12/eric-otto-puzzling-would-be-truer-poetry.html






Puzzling Would Be Truer

      to its name
       if

      puzzles were edgeless
   and glossy blue on both sides

                                  or whatever color

              folks wouldntsit around
chitchatting
  while they link together

the
straight
pieces
of
the
outside and laughing

         about that and those and this
  while they build

that
  cloud

                        those
            birds and                                  t
                                                            r
          this                     e
                                picnic                   e
                    basket     
                                                      
if puzzles were edgeless
   and glossy blue on both sides

                                  or whatever color
     
    then the folks who do them

while doing them

               would lift their brows
            in silent recognition that they

             need

      humans really need
                     borders and patterns

Kyle Massa: Jeter-esque (Nonfiction)

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 http://www.stymiemag.com/2013/12/kyle-massa-jeter-esque-nonfiction.html


My Grampa's old house was the best place to watch baseball, because no matter what room you were in, you could always hear the Yankees game. For a while, the broadcast was narrated by the low bass of Jon Sterling. A few years later, Sterling went to the radio, and the reins were given to Michael Kay and his near-perfect non-regional dialect

"Going back, at the track, the wall, looking up...See ya! A long two run home run by Jorge Posada, and the Yankees lead two-to-on."

Though the announcers might've changed, the crowd never did. Even on TV, I could hear the Bleacher Creatures chanting players' names as the game started. Yankee fans have a sound all to their own they're louder than everybody else.

***

I liked the game of baseball from the first time I saw a pitch cross a plate. While some kids found its easy pace to be tedious, I found it somehow soothing, more conducive to thought. I became fascinated by the infinite statistics and match-ups. I often tried to guess what pitch was coming next, how the infield would be configured for a particular batter, what the managers might be thinking. If this guy gets on, how will they handle the next hitter? If they strike him out, will their pitcher come back out for the eighth? I had soon come to think of the game as athletic chess.

Every few weeks or so I’d watch a game over at my Grampa’s house. Carl Mueller was a man who had never thought much of himself, despite the fact that he’d lived an extraordinary life. My Grampa fathered two beautiful daughters, served in the Navy during World War II, then returned to the mainland to become the vice-president of a successful insurance company. Whenever my mother tried to compliment him for his accomplishments, he’d simply shrug and say, “Well, I don’t know about that.”

Grampa had a story for everything. There was the time his pants split during a church service, the time my aunt sprayed him with a hose while he was napping, the time he saw Babe Ruth hit three homers in one game. Those were the stories I liked best––the ones about the Yankees.

Grampa told me about Alfonso Soriano and his lethal blend of speed and power. There was Mariano Rivera, at that time already being hailed as the greatest closer in baseball. Veteran first baseman Tino Martinez was one of Grampa’s favorites; always good for a clutch hit, and he had a sure glove at first.

But among all the superstars on the Yankees, Derek Jeter quickly became my favorite. The iconic throw from the hole at short, the near-automatic 200-hit seasons, the leadership, the clutch play––he had it all, and on top of that, he was a nice guy. I’d never seen an athlete who was so successful and simultaneously so humble. He never even got upset when he failed. If he ever made a mistake, it was no big deal. He could just forget about one play and move on to the next, something I could never seem to do. The truth was, I didn’t just love Jeter.

I wanted to be Jeter.


***

Every morning I’d wake up and head out to the yard with a bat and a bag of baseballs in my hand, a number two Yankees jersey on my back. Any great batter needs a great stance, so I modeled mine after Jeter’s. I would start by holding a hand up to the imaginary umpire, calling time while I dug in. Then I would look out at the imaginary pitcher, trace two circles in the air with my bat and nod, letting everyone know that I was ready.

After mastering my technique, I proceeded to a new exercise: toss a ball up, then take a hack. Most of the time I’d miss, but those rare instances when I made contact were enough to keep me practicing. Soon, I’d gotten pretty good at that, so I tried a new trick: golfballs. I figured that if I could hit a golfball with a bat, I’d be able to hit a baseball with ease. This took a while too, but eventually I got a handle on it, and soon the Titleists were soaring over my backyard fence and into the woods.

But my practice didn’t translate to success on the field. Baseball was and is the most demanding sport I’ve ever played, not so much physically as it is mentally. A sport like basketball is much more instinctual; if you make a mistake, there’s no time to think about it––just run back on defense and make up for it. Baseball is far more cerebral, and at my age it was all too easy for me to get lost in my own thoughts. Make a mistake in baseball, and that’s too bad. You head back to the dugout with your tail between your legs, and you just think and think about it. You’ve got plenty of time to sit on the bench and ponder your failure––plenty of time in the field, too. You might not even get a chance to redeem yourself for another twenty, thirty minutes. And if you fail again? Think about it some more.

In the back of my mind, I began to realize that my love of watching baseball didn’t translate to a love of playing baseball. Maybe it was the pressure of being alone on the field against nine other guys who wanted to get me out, or maybe it was the constant failure so inherent in the game itself. For whatever reason––though I wouldn’t admit it to myself for many years––I wanted only to watch baseball, not play it.


***

It was a beautiful July night at the ball field down the road from my house. There’s something special about playing beneath the light of two monstrous, thousand watt banks. For those nine innings, you’re a big leaguer. The spotlight is on you, quite literally. I almost wanted the ball to disappear into the lights, just so I could lose it for a second and then track it down, like I’d seen Bernie Williams do on TV.

I was a freshman in high school, right on that awkward line between boyhood and manhood. Physically, I’d say I was more the latter; I was already nearer to six feet than most other guys on the team, and I was making a decent attempt at facial hair. But mentally, I was still an adolescent. Even the slightest mistake would send me into a state of permanent frustration. In a game built on failure, that mindset was dangerous.

The game started off well enough. We took a two-to-nothing lead on a two-run double, and our starter was looking un-hittable. I was playing right field and hitting seventh, and I’d managed to get through the season more or less on the strength of my own reluctance. That is, I rarely swung at any pitch. Despite my constant practice, I really wasn’t much of a hitter, and I had a terrible, terrible fear of striking out. However, I had decent speed and could make infield groundouts at least close, if not pick up a hit. Occasionally, I’d even get lucky enough to draw a walk. But making solid contact was still a rarity.

My first at-bat of the game was short and sweet. I dug in, asked the ump for time, then nodded to the pitcher, just like Derek Jeter. Three pitches, three called strikes, and that was that. I walked back to the dugout in a daze. No big deal, though. I did what Jeter would do, and I forgot about it.

My next at-bat didn’t come until much later. The opposing team had batted around for four runs, and we went quickly in order. The score stayed the same when I finally came up three innings later. I had no idea who the pitcher was, but he seemed to know me quite well. Everything was a strike, and it was clear that he wasn’t going to let me walk. I tried to pick up a hit, but only managed to embarrass myself by hacking at three breaking balls in succession. Time to sit down.

Now I was getting mad. I had never been an angry kid, but the frustration was building. The truth is, I had never lost my temper the way I was about to.

My third at-bat came in the 8th. We were down by two runs with men on second and third, two outs. Needless to say, we could blow the game wide open. It was up to me, in the perfect Jeter situation. Game on the line, my team needed me. I was going to get a hit.

First pitch: ball one. Alright, too low. Stay focused.

Second pitch: low again, ball two. Maybe I’ll get a walk, I thought naively, and it’ll all be up to someone else. Even stronger than my desire to get a hit was my desire not to strikeout––or more accurately, my desire not to fail.

Third pitch: strike, right down the middle. Alright, alright, not your pitch.

Fourth pitch: strike two, same spot. Why aren’t you swinging?

And then it came: the fifth pitch. This time I was ready. I watched it all the way in, swung, and...

...missed.

It was my third strikeout of the game, the kind of hat trick that you never want to get. As I walked off the field, I remember having an odd thought: Don’t do it. What did that mean? Who was I even talking to? Myself, I realized. But it was already too late.

I hoisted my bat and threw it as hard as I could at the backstop. All the frustration, all the anger, all the disappointment I’d been feeling during the game came out in that one moment.

In hind sight, it seems like nothing. Paul O’Neil had done far worse to water coolers in his day. And besides, I wasn’t a robot. Everyone gets angry. I was just a young kid, overcome with failure and embarrassment, and in a moment of weakness I made a mistake.

But right then and there, it wasn’t so easy to brush off. To a guy who wanted to be like Jeter, I’d done one of the most un-Jeterlike things imaginable. My dad was there to see it, and my mom. I knew instantly that I’d let them down, and let myself down. Most of all, I thought of Grampa, and what he would’ve said if he’d seen me throw that bat. Luckily, he wasn’t at the game. But what if he had been? He was the one who had introduced me to the Yankees, and to Derek Jeter. What would he have thought if he’d seen that bat go flying?

I remember walking to the bench with my face all red, tears tickling my eyes. My coach was the first to come out of the dugout, a big tall guy with a keg belly and cannonball biceps. The first thing he said was, “Go apologize to the ump.” I’ll never forget what he said next:

“That’s not you.”

That was the worst part of all. Not only was I not Jeter.

I wasn’t even me.


***

The lights were back on at the ball park a few weeks later. It was one of the last games of the season before playoffs, and a meaningless one at that; we’d been hovering near the top of our division for the entire season, and even if we lost out, we’d still make the playoffs.

Since my incident a few weeks prior, I’d scarcely touched a baseball bat, except during games. Even then it was with great reluctance, as if the bat might turn into a viper at any second. I continued to look for walks, but I found more strikeouts than anything. I didn’t really care anymore. I just wanted the season to be over.

It was a good game despite its meaninglessness. We traded runs back and forth each inning, made great plays on both sides. I’d even picked up a walk in my second at-bat, probably the first time I’d reached base in weeks.

Then came the ninth inning.

I suppose I should’ve expected that I’d come up in another clutch situation. If you watch enough baseball, you begin to realize that the baseball gods are cruel; they love it when the worst hitter comes up with the game on the line.

The score was knotted at seven, and I was on deck. It was alright, though. I wasn’t worried. Our number eight hitter, Tommy, was up (I’d been moved down to ninth in the order), and he was already three-for-three on the day. Josh was on third, poised to score. No worries. Tommy would get a hit, and none of the pressure would fall to me.

But instead, Tommy walked. Of course he walked. Of course it had to come down to me. I’d never actually believed in those baseball gods, but at that moment, I remember wondering if I was being punished by some higher being. It was all too similar to the game three weeks prior.

Where’s Derek Jeter? I thought. If he was here, he could pinch hit for me, and we would actually win this game.

I stepped into the batter’s box, so nervous that I forgot to get into my Jeter stance. Might as well get it over with quickly, I thought to myself. No reason to prolong the suffering.

With that thought in mind, I decided that I was going to swing at anything. Absolutely anything. I didn’t care how far outside it was, I didn’t care what pitch it was, I didn’t even care if it came at my head. If I was going to let the team down, I was at least going to get a few goddamn swings in while I was at it.

The first pitch was waist-high and slightly outside. Good enough. I swung, and suddenly I had a prophetic vision of the result: an ugly hack for strike one. Maybe some parents in the crowd would laugh. Two more of those and then I’d have to go sit and think about it. Oh well. At least it’ll be over.

But it wasn’t over.

I felt a shock go through the bat. The ball wasn’t in the catcher’s mitt––it was rolling through the infield. It had to be the lousiest little grounder I’d ever seen. It rolled––no, inched––across the infield grass to deep short. I took off, barely concentrating on putting one cleat in front of the other. My head was swiveled around over my left shoulder, my eyes fixed on that little white and red ball making its leisurely way to the dirt between second and third. The shortstop must’ve been playing up the middle, because he was running to his right, trying to make the backhand grab. I had no idea where the third baseman was. I suppose I should’ve been sprinting like mad in case someone got there and threw to first. But I wasn’t. I was mesmerized by that little white and red baseball.

The shortstop finally got his glove down, and I knew it was over. There was no way the baseball gods would allow such blasphemy as that. Me, getting a game winning hit? Impossible. His glove touched the dirt, he turned, and the throw––

There was no throw. The shortstop halted and glanced behind himself, his face all screwed up in disappointment. Did it get stuck in his glove? Then I noticed a little white and red bump in the outfield grass, placed in the perfect spot between the shortstop and left fielder. A baseball, I realized. The one I’d just hit.

It certainly wasn’t a Jeter-esque moment. I didn’t work the count, didn’t wait for my pitch, sure as hell didn’t get a neat liner into right field. My hit was a grounder to left that would’ve been fielded if the shortstop hadn’t been shaded just a few feet toward second.

You might call it the ugliest game winning hit you’ll ever see.


***

Fast forward a year, and I was playing baseball out on the diamond near my house with a few friends. I was still a Yankees fan––and still am, and always will be––but I no longer wore the Derek Jeter jersey. Jeter was still my favorite––and still is, and always will be––but I haven’t worn his jersey for a long, long time.

My friend John was pitching, and pitching well. I’d been playing with him ever since the early days, back when I was still hacking at golf balls in my backyard. He had a live fastball and a bizarre, twirling delivery that made it difficult to see the ball come out of his hand.

I stepped into the box and did a few half swings, not bothering to ask the imaginary ump for time. I didn’t do the little head nod anymore, either, only stood at the ready with knees partly bent.

John looked in at the imaginary catcher and shook off a few signs, then settled on one, readied up, and pitched. It was a speedy fastball, just like it always was with John.

I swung nice and easy, got the barrel out in front. There was a pleasant crack, and the ball went sailing toward the pink afternoon sun, off and away beyond the tree line that marked the edge of the field.

It was the farthest I’d ever hit a baseball. 



Kyle Massa is an undergraduate student currently residing in Ithaca, New York. He grew up in a small town called East Greenbush, just a short drive from Albany. His favorite literary genre include fantasy, science fiction, and horror, though he's also partial to a little non-fiction now and then.  

Ben Alfaro: When the Red Wings Take a First Round Exit

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http://www.stymiemag.com/2013/12/ben-alfaro-when-red-wings-take-first.html







I finish my beer. I shake the barkeep's dry hand.
I tear my jersey off my back. I sully a reputation
with a reneged bet. I order a new beer, pay off
the damn bet. I let the jukebox swallow another
dollar. I turn on a Bowie record. I tell a lady
she looks stunning. I am told nice try. I thank
Lidstrom with a round for strangers pooled near
the television, grieving with their own wicked songs.
I let my cell phone die. I call a cab with my hand,
waving. I wake up the next day, scrape off the night,
start my angry car. I go back to work, the engine,
a revved metal titan beneath me, growling.





Ben Alfaro is a writer, organizer, and educator from Detroit, Michigan. He is a writer-in-residence with InsideOut Literary Arts Project in Detroit. His work has appeared recently in Red Cedar review, Acentos Review, on HBO and on Michigan Public Radio. His second collection of poems on sports and masculinity, Home Court, is forthcoming on Red Beard Press.

Walter Bjorkman: Arky to Frenchy to Augie (Fiction)

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“Vaughan, Bordagaray or Galan. Arky, Frenchy or Augie, that is better, da.” The guard tower was just ahead and Boris couldn’t have been better prepared for his mission behind enemy lines. The KGB espionage revealed that after all the papers were checked the final test would be the question “Who played third base for the Brooklyn Dodgers during the war?”

But which one? Vaughan played the most games at third, but he left for the military himself in 1944. Bordagaray then mostly took over, but Galan was planted there on V-E Day. Boris decided to go with Arky, more likely known to a guy from Iowa, where he was supposed to be from. Use nicknames, Americans big on them. Boris decided to throw in the last name, not be so familial. Igor, his partner in the spy game was on his own, as he was supposed to be from Philadelphia.

Both were whisked through the papers part—had access to the best forgers in Europe. The moment of truth was at hand, Boris first.

“Who played third base for the Brooklyn Dodgers during the war?”

“Arky Vaughan”, Boris put on an immaculate Midwest accent.

Truncheons appeared and battered him into a pulp as the Sarge said “I’m from Joisy an I dint know dat. Gotta be a commie.”

“And you… ?” looking suspiciously at Igor, the supposed Philly lieutenant.

“Aw, dem bums suck lemons!”

“Pass right on through, Sir!” The guard snapped to attention.

 

Walter Bjorkman is a writer, poet, photographer and general roundabout from Brooklyn, NY, now residing in the foothills of the Adirondacks. His poems and short stories have appeared in Word Riot, Scrambler, fwriction: review, Poets & Artists, O&S, THIS Literary Magazine, Wilderness House Literary Review, A-Minor Magazine, Blue Print Review, OCHO, MiPoesias and more. His collection of short stories, Elsie’s World, was published in January 2011. He is currently managing editor at A-Minor Press.



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